A Quote by Lea Michele
I've always been inspired by female performers and artists who really surround who they are around their voice. For me, it's always been about the voice. I wanna hear someone just sit by a piano, on a stool, and just sing - and that's it!
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What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
I'm interested in just about anything that's right for my voice, and that's a good fit for my personality in the part as well. 'Evita' has always been a dream part for me, but it's really, really high to sing. I'd love to do Elphaba - heck, I'd even do Glinda. For me, I'd do anything to get into 'Wicked!'
With me having this raspy voice, people always asked when I was going to sing on a song. When I was going at it with 50, people were saying I don't sing on my own hooks. That always stuck in my head and people always told me I had to use my own voice not just to rap.
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
Have you ever been to a picnic? And someone blows up a balloon, and everyone starts tossing it around, and it's always just about to touch the ground, but someone always gets there just in time to tap it back up? That balloon, that's God, the very best in all of us, the kindness, the heavy petting, Funny Girl! ...Evil bores me. It's just one note. It doesn't sing! Oh, of course life sucks! It always will. So why not make the most of it?
I always sang when I was little and my father, who was a great influence on me, also had a wonderful voice. He and my mother really encouraged me to sing and play the piano. They were always very supportive.
I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.
My reality is that God speaks to you every day. There's an inner voice, and when you hear it, you get a little tingle in your medulla oblongata at the back of your neck, a little shiver, and at two o'clock in the morning, everything's really quiet and you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: Write this down. It is just an inner voice, and you trust it. That voice will never take you to the desert.
If you ask me about vocal technique, I don't know anything. I could never be a teacher. I just know what my teacher told me: 'Always sing with a full voice. When they tell you, less sound, more piano - no.'
The songs that I sing and the songs that I write have always just been what I feel my voice does well, and what my inspirations have been and a kind of culmination of everything.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
I think of Gord Downie voice as Whitman-esque. He has a poetic voice that contains multitudes, both the suppleness of the instrument of his voice, and just the lyrical boundaries that he pushes, which are really always thrilling to me.
I just knew: first-time female on ESPN, there's going to be some backlash, like any change. There's always going to be resistance. There are going to be people that hear a female voice or see a female figure and are completely against it.
I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I've been working on something, just some jazz, relaxed stuff. It will be standard, just piano and voice. It started out as a fun project for me though, I'm still not sure about releasing it.
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