A Quote by Lea Michele

I don't go out to clubs. You'll never see me on a table at a bar, jumping up and down. — © Lea Michele
I don't go out to clubs. You'll never see me on a table at a bar, jumping up and down.
I began singing in dive bars and really small clubs. I dragged my piano down the stairs, and I went down the street with my keyboard, and I would go to every different dive bar that I could get to agree to let me play. I'd call and pretend I was Lady Gaga's manager.
I still go out, but not a lot. If I go to see music, it's usually to the Blue Note, jazz clubs, things like that. When I travel, I find out where the jazz clubs are.
I don't really like to go out to clubs or anything. It's just not my style. I'd much rather go to a dive bar or a local place.
The Grand Prix Final is an opportunity for me to go out and experience new jumping passes in competition. I put in a triple loop-half loop-triple Salchow in the second of the program. It's a very difficult jumping pass so this is a chance for me to try out the new elements and the adjusted jumping layout to get prepared for nationals.
They want to go to the bar and eat a few snacks, have a couple of cocktails or glasses of wine, and go home. People don't sit down at the table and have a whole three or four courses.
My whammy system is set up so I can yank the bar up as well as do dive-bombs with it. This means that if I accidentally push down on the bridge with my palm, my strings go sharp and sound out of tune. I make sure this never happens by never resting my hand on the bridge when muting. I always do my muting just in front of the bridge.
I never went to parties for the same reason I never went to clubs, because I had worked so many clubs with a band up in Jersey that I just wasn't interested in hanging out in places.
All I've wanted to be is someone people look up to. It's funny - everyone says I'm controversial. I've never worked out what it is about me that's controversial. I've never had a DUI; I've never been in a brawl; you've never seen photos of me walking out of clubs at 5 A.M.
On my job I end up jumping out of planes. Last week I got in an 18-wheeler and drove down a runway onto a skid track. The week before that they put me in a car and sunk me to the bottom of a lake to see if I could escape without an oxygen tank.
I'm not in the clubs; I'm a homebody. I go out when I feel I have to for work or if there's a special function. You might catch me at the grocery store, but you won't see me out and about in Atlanta.
On Death Valley, I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
I just kept throwing out two or three major ideas, and then that was pretty much right when Tom Phillips came to me asking about the commentary idea and I ended up jumping into that, went down a rabbit hole I never expected.
I had Alex Riley out there as well and he's jumping up and down excited. You know, hugging me and the fans are going nuts and booing me.
I collect hotel keys. I hope to make something out of them someday. It would be cool to make a bar at my house and, like, the bar is all the hotel keys: lay them down and put glass over them. Or maybe even a coffee table.
If I didn't have a gig, I used to ring up all the comedy clubs across the country and go, 'If anyone drops out, I can be there.' Normally, someone would ring you up the day of. It's just perseverance, being scrappy, being a hustler. The first few years, a lot of it was under-the-table work, so that was good. I think I can say that now.
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