A Quote by Lea Michele
Growing up in New York has influenced my style so much, and I have an amazing relationship with my stylist, Estee Stanley. We have so much fun with the whole process. She picks out dresses, I try things on and play dress up, and we get creative to see what works.
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Growing up in New York, I loved watching my grandmother Estee put on her make-up - I always admired her sense of style.
I did get to keep the wedding dresses from 'Runaway Bride'. They're all boxed up in my garage. I've never opened them. It'll be fun one day when Hazel is taller. She can play dress-up with her friends.
I've always grown up as a tomboy and don't see myself as much of a girly girl, but when the time comes, it's fun to play dress up and embrace my femininity.
Going into editing when I got to New York was part of that. I guess I just kind of wanted to know as much as possible. But I have a real love of the whole process, from start to finish. So right now, I fit into the acting part of the process, but I wouldn't rule anything out. I'm enamored with how the whole thing works.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
I liken myself to a little girl having a tea party at the house all of the time. I actually dress up more in my home than I do walking down the street just because it is so much fun to play dress up.
I think growing up in New York, you see so much at such a young age, there's no bubble to escape into.
My top tip for looking your best is to dress for yourself, not for anyone else. Even working with a stylist, I wouldn't wear anything she told me to wear unless I was comfortable with it myself. That said, it's good to push yourself out of your style comfort zone every so often to make sure you try new things.
I can be much more creative with my menus in the casino cities. In New York, there are certain things I can't make. In Las Vegas, they're much more receptive. Rabbit, some seafoods - they won't necessarily do well in New York, but I'll try them in Las Vegas, and they'll be a success.
For anyone in our industry, one of the toughest things about having a relationship is how much time you get to see each other. The fact that we see each other every day, no matter what, has really worked out nicely for us. She's such a great girl. She makes what I do so much easier and so much more enjoyable.
My brothers and sisters have achieved so much in their lives and have had so much success, but I'm just 17, so I'm still growing and learning. Since I have grown up on the West Coast, it definitely is different than all of them growing up on the East Coast. It's a different lifestyle, obviously, California vs. New York.
When you're growing up, you play dress-up - it's a game, it's a pastime. And then as you get older, getting ready and looking nice becomes this constant stress. I want to make it fun again.
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
I have an amazing stylist; she's called Rebecca Corbin Murray... I go around to her living room, and it's sort of exploding with dresses, and we go through them all, and she's so good at picking things she knows I'll like, and we work together. She's taught me absolutely everything; she's brilliant.
I would say that I definitely play a different role with my style; I like to mix it up a bit according to wherever I am. I dress differently in New York, L.A., Paris and London.
People expect you to be with stars like Beyoncé. Obviously she's amazing, but you can't get starstruck as there's too much build-up to it. It's like, 'Clear the corridor so she can walk down it!' And she's like some fembot. There's too much faff and you end up thinking, 'Who cares?' If I was chatting to Hugh Fearnley-Whittingstall about chickens I'd be much more excited, as I love him.
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