A Quote by Lea Salonga
I would love to do some straight drama. A lot of times it's not up to the actor, it's up to the producer. It's up to the powers that be.
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Love is love, and a lot of times, people might be in the situation they're in because they put barriers up. Like, some people only want to date a model or an actor or an athlete. You're only limiting yourself. Open up to what's out there because God made us all.
Comedy opens you up to ideas that a straight-up drama doesn't. You resist those messages when they come to you earnestly or dramatically.
A lot of people want to blow up as a producer, but what helps you blow up as a producer is an artist that matches well with your music. When that artist gets popular and blowing up, and people start knowing them, that's when they start knowing you.
I'm really eager to go back and do some theater. I would love to do some more comedy as well because I think that's really the hardest thing to do; it's what I grew up doing, and I would love to go back and do that. I did a lot of theater growing up - musical theater.
Oh there's so many, but the one that I would love to see, that I would love to go up against, is Beth Phoenix. I would love for her to return. It would be something for me, kind of like a a childhood thing, growing up seeing her being such a dominant woman. I would love for her to show up and be in the ring with her.
A lot of times you can lose the MP3s - it's a lot of labor to be finding it again, putting things back up. You gotta back up, back up, back up.
I'd love to play a villain in BBC drama 'Sherlock' - some sort of evil, slinky blonde would be right up my street.
My dad always told me you have to be as quick as you can straight away out of the box. Some people say, 'Feel your way into it; build it up.' No. My dad would say, 'Straight away, you have to be there.' And I think that helps to warm up your tyres and brakes to be on it a bit more from lap one.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
A lot of times we would feed off of the crowd. A lot of things that we were doing in the match was called on the fly. For example, Ric Flair and I would go into a match and have a couple of spots and moments set up. And then, of course, we would line up the finish. But the rest was called on the fly.
It would be beautiful to be able to walk up and down Peckham still, because I love it; it's where I grew up. But it just doesn't work. There are a lot of people who love you but there's jealousy too.
I love drama - I would say more than I even love comedy - but I like in One Mississippi that I can go from a very moving moment to a Willy Wonka tube up my ass. I like the silliness as much as I like drama.
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