A Quote by Lea Salonga

When I was about 6, my cousin was very active in a Filipino repertory company, doing musicals and plays. Her aunt was one of the founders of the company, and she told my mom that there were these auditions for 'The King and I,' and that they needed kids. I auditioned, got in and the love affair started from there and just kept going.
My cousin in Louisiana started a small company with a little savings, renovating houses. A single mom, she saved enough to buy a home and provide child care for her son. When the economy went belly up, so did her company. She was forced to sell her home and move in with her parents.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
When I was little, my mom was an actress, and she still is now, and she'd go on commercial auditions, and if they needed a mom and a son, she'd take me along, and that's how I got started.
What contributed to my writing early on is how my mom encouraged it. She kept the TV off because she wanted my siblings and I to be engaged and active. So we made forts, put on plays, musicals, and I wrote like crazy.
I came out at a very early age. I sat my mom down at my 12th birthday party and told her in front of my friends. She said, 'Baby, mama already knows, and I'm going to love you regardless.' Once I got my mom's support, there was nothing else I needed.
When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors.
Brit Marling smartest girl I've ever met. Hands down. Brilliant. Her story? She had a graduate degree from a top tier school and turned down a job with some big company. She went to LA, said she was going to be an actress. She wasn't getting auditions, so she started writing her own films.
The King's son, who was told that a great princess, whom nobody knew, was come, ran out to receive her. He gave her his hand as she alighted from the coach, and led her into the hall where the company were assembled.
When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
I got started acting by going to auditions that my mom found in the entertainment section of our local news paper. Then, I got a manager and started going out on more auditions.
I had met a lady there by the name of Laura Ziffren.She heard that I got signed to Virgin and reached out to my management company. They needed a kid to sing that part in the movie, and she remembered me, and her people reached out to my people, and I went and auditioned, and I got the part [in Romeo + Juliet].
I started out wanting to be an actress. My sister was in this theater company in Brooklyn. I saw her in some plays, and I was immediately obsessed. I started auditioning for plays when I was about 10.
My mother is gay. She was married to my dad up until I was 9. She was just like, 'I'm tired of this. I'm just going to be with who I want to be with.' So I've been raised by women, through my mom and also my aunt. My aunt is bi, and most of her partners have been women. I was always surrounded by a very strong tribe of people.
Shareholder activism is not a privilege - it is a right and a responsibility. When we invest in a company, we own part of that company and we are partly responsible for how that company progresses. If we believe there is something going wrong with the company, then we, as shareholders, must become active and vocal.
For two years I was a member of a repertory company in Los Angeles, doing mostly original material, plays written by the director.
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