A Quote by Lea Seydoux
I'm not as beautiful as a model.
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Aren't we taught as kids that we're beautiful because we feel beautiful and not because someone else says so? You don't look like the model on the magazine cover but you can still be beautiful, so I can't say I really want to change anything. I'm happy with the flaws I have.
A model is a good model if first it interprets a wide range of observations in terms of a simple and elegant model, and second if the model makes definite predictions that can be tested, and possibly falsified, by observation.
Technology isn't the enemy, it is our ally, but only if we adopt a new model that puts people before profit. I realize that we seem far from that model, but I have seen it in action and it is a beautiful thing. So I'm not willing to give up yet. Hope is the last thing to die.
What's so great thing about clothes is that they're artificial - you can lie, you can choose the way you look, which is not true of natural beauty. So if you're naturally beautiful, wear what you want, but that's 01% of people. Most people just aren't good looking enough to wear what they have on. They should change. They should get some slacks and a nice overcoat. Remember when the style was incredibly messy hair? That's great if you're a model. But if you're not a model, you would look better if you washed your hair, because you are not beautiful.
Human beings look so different from each other, voices are so different, everything about us is so individual, and that's so exciting and juicy and appealing, and we're attached to these things and they're so fascinating and beautiful - I don't just mean model-beautiful, but all the individual forms that people can take.
I did model for a little while part-time, but I wasn't a bloody model, and I am definitely not that horrible thing 'model-turned-actress.'
But as a young model, I never felt as beautiful as I looked.
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
Because I would be around so many people in the fashion industry, there's this kind of dialogue. People would always say, 'Oh your daughter is so beautiful. Is she a model?' And it was so strange for me to hear because I felt so not beautiful inside.
The model a lot of companies use is a very pyramidal model which sort of designates that all creativity, all wisdom flows from the top. We think that's the absolute wrong model.
I think the free market model of commercial trade openness - this model has undoubtedly shown enormous benefits for nations, for those of us that follow this model, of course.
My first Asian role model was Michelle Kwan. Her beauty comes from within. She's also really beautiful on the outside. But when I first saw her ice-skate, her performance was so moving and beautiful that she just glowed.
The Pagan model of religion because, in the Pagan model, there were lots and lots of Gods and Goddesses. They were all incredibly beautiful and there were statues of them everywhere, which is the equivalent of magazines, or whatever, today. And they were fallible, which is different from being mono-, you know, Jewish or Islam (where) you have the infallible, monotheistic God.
I didn't have a role model. My role model was Michael Jordan. Bad role model for an Indian dude... I didn't have anyone who looked like me. And by the time I was old enough to have what could have been a role model, they were my peers. Aziz Ansari is my peer. Kal Penn is my peer.
I think treating a model as nothing but a collection of tendons is done to lessen people's discomfort with the fact that they are looking at a naked person. They think it makes the audience and model more comfortable. But that was not the case when I modeled and I find that others agree. I feel that the sexual component is essential. I feel it is much more objectifying to be a table than a beautiful naked girl.
What is beautiful for you may not be beautiful to someone else. Or whatever is beautiful here may not be beautiful there and what is sometimes beautiful today is not necessarily beautiful tomorrow. Perhaps this is the story of fashion and what makes it move forward, the fact that there is no decision whatsoever with what’s wrong.
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