A Quote by Lea Thompson
It's actually shocking to me how hard it's been to get back into the movie business.
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Our fathers were actually business partners in the same real-estate firm, and we got together and thought, How can we get a movie together and get distribution and create a new movie genre? We started by making satires of commercials.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
It's so hard to actually get the money to make your movie. When you actually have the chance to do it, you have to be absolutely ruthless in order to make the best movie you can make.
For me when I watch 'The Shining,' it's like watching a home movie. I understand how it scares people. I think it's an entertaining movie, don't get me wrong. But I look back on it with so many memories.
You get to actually make your movie. As a filmmaker, that's the dream. That's why you get up in the morning, to be able to do that. You feel constrained sometimes, but if the movie makes sense in the budget realm, then it isn't hard.
The movie business has been in enormous flux. It's always changing, and you've got to scramble. The Internet came along and devoured the DVD backend of the movie business. Suddenly you're watching dollars turn into nickels, and that's interesting to me.
The percentage of people that go to drama college in the U.K. is probably just like anywhere in the world. It's a very hard business to work in. They say that, at any one time, there's only 5% of actors in the world that are actually working and getting paid, which is a shocking percentage, really.
For me, the dilemma is I love Bristol, but you can only do that for so long and not get it back. It's been something that's been hard for me to accept. It breaks my heart.
I think that you have to prepare yourself mentally for show business, because it is such a tough world. You don't realize how hard it is until you're actually in it and you're actually on the show.
Donald Trump is doing well. Trump is shocking everybody. He's shocking the Democrats. He's shocking the Republicans. He's shocking world. Contrast what's happened here in just the last three days with eight years of Barack Obama. We have had no apologizing. We've had no bowing. We've had a president of the United States actually tell the heads of state of countries where terrorism is rampant to get rid of it, to drive it out. We've had a president of the United States directly confront Iran where his our previous president threw everybody else overboard for Iran.
People think hard sparring will get you sharp. And you do get sharp in the gym. But anytime I've trained that way, I've actually been a little bit flatter in the fight. And the knockout shot hasn't come. It's almost because my training has been too hard.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
After the initial flurry of media interest, I was left to figure out how to move on with my life - and that proved hard. I was glad to get back to what I hoped would be normality, but the effect on me had been traumatising.
The movie business was changing, I didn't want to turn 60 in the job. I picked 60 as an age where you are young enough to have a new life but not so young you can wait. And I had this incredible need: I had been so blessed in life and I wanted to give back. So I left Paramount with great joy, I have to say, and with great fondness for the memories I have in the movie business.
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
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