A Quote by Lea Thompson
I always felt like my best years would be from 50 to 65 years old. I don't know why. It was a feeling I had even when I was really young.
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It doesn't seem like it's been 50 years. I don't even feel like I'm 50 years old yet, though I've had all these knee and back operations.
Some say that now that 50 years have passed, we would like another 50 more years to celebrate once again; that means it will be 100 years. After one hundred years, I will be 118 years old.
I felt ten years old and a thousand years old, but I didn't know how to be my own age. I had never felt that way before, but now I feel like that a lot.
My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
My fan base is really, really young. They're the youngest demographic that you can track on YouTube: 13- to 17-year-old females. But the fan mail that I get in my P.O. box, they're all from moms and from kids who are two years old, three years old, four years old.
I had no idea what I was walking into, and the years and years of hard work it would take. I felt like an outsider and like it was never going to happen. But even if I would have known, I think I still would have done it. Dancers are perfectionists, and that's what keeps us going and growing.
I don't have kids. Maybe that's kept me young. I have a wife for almost 50 years and she looks after me a little bit like I was seven years-old.
It was a time of great loneliness. He had a group of friends, and suddenly I had no one and did not understand why. I felt excluded. Some days, the majority was in high school and did not know who to talk to. And that is something really terrible when you're twelve years old.
I think, probably when I was 15 or so, I was going through a really hard time with my family, and I just felt really helpless - I didn't know how to put anything I was feeling into words, and I was really confused, and I felt like nobody would hear me, but I didn't even know what to say.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity.
We're a young species; We're only 175,000 years old. On the evolutionary scale, life on this planet is 4 billion years old. We're 175,000 years old. So we're trying something out. Who wouldn't think it would be better to have the most stuff to take as much as you could? As we do that, we see why the moral prophets come along and say, don't even store into barns, right? It's easier for a camel to pass through the eye of the needle than a rich man to enter the kingdom of heaven. We've seen we plunder nature. We plunder our neighbor. We create enemies because we're against each other.
I love Mickey Mantle. Would I have felt the same if I had known when I was eight years old what I know now?
That's critical to me, the community. When I was 12 years old, I had a mental breakdown; I went berserk for a long time. I felt rejection from the white community. Couldn't understand why the pigmentation of my skin kept me from doing. Everybody always told me "You're going to be something." And of course, I began to raise questions about why it is that white folks treat us the way they do. The breakdown was very vivid. I just all of a sudden felt like I had been overcome by a train.
I don't know whether when I was 20 years old or 25 years old if somebody would have come along with incredible wisdom whether I would have really listened.
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