A Quote by Lea Thompson

'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part. — © Lea Thompson
'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part.
I had not met Tina Fey before I auditioned for 30 Rock. Some people think were old friends from Second City days. I had always been a fan of Tinas. But I actually never planned on being in a sitcom.
I had not met Tina Fey before I auditioned for '30 Rock'. Some people think we're old friends from 'Second City' days. I had always been a fan of Tina's. But I actually never planned on being in a sitcom.
What makes 'Derek' a different kind of sitcom - if it is even a sitcom - is its sincerity.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
Every comic is taught that you're supposed to have a great seven-minute set and then get a sitcom. And I don't want to get the sitcom.
The film is better for me than the sitcom. But the sitcom is like much more practical approach, if I may say that, because of the cost. Everything costs money, a lot of people don't realize that.
In Mexic,o the concept of a sitcom doesn't actually exist - even if you do a sitcom, technically speaking, because it airs from Monday to Friday, they put it in the telenovela category. But, of course, I am from Mexico and grew up with the telenovela culture.
The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.
I auditioned for 'Mad Men.' I auditioned for 'Top of the Lake.' I obviously auditioned for 'West Wing,' so I still get excited when I get offered stuff. Like, a part of me thinks, 'They think I can do it! That's awesome!' And that's a part of me I have to squash; otherwise, I would do everything just because people gave it to me.
Well, usually, when you're doing a sitcom, you get a script and every word or for the most part, is written. So, you know, if it's a 30-minute sitcom, then it's a 35-page script or something like that.
I didn't want to have to follow 'Everybody Loves Raymond' with another sitcom. Let it be my sitcom legacy, and leave it at that.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
In 2010, I was the star of a sitcom. It came and went pretty fast. But in the months from when I was cast in the sitcom through when it was done airing, my life did change remarkably.
My desire for my own sitcom began as a little girl - I spent hours lying on my belly on the shag carpeting getting lost in the world of the '70s sitcom. All I wanted to do was run away to the Brady house, The Partridge Family bus; even the project on 'Good Times' seemed better than Clark, NJ.
I always try to use my medium, and if I get into a normal sitcom-writing contest with normal sitcom writers, I'm going to lose.
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