A Quote by Leah LaBelle
I needed to get out of Seattle. I had to just come into my own world, my own zone, and really appreciate me and my music.
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I get into a zone where I'm really in my own world when I make music.
I'm just really excited to get music out there that's not from the show, because it's cool to be able to break out and have my own stuff under my own name.
For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.
Whenever there's a role that scares me, I get panicked and nervous. I know that greatness might come because I'm going to get out of my own element and comfort zone.
Music is how I get free. It's a way to shut the rest of the world down and create your own world within it. I'm not thinking about what's going on around me. It's definitely an energy thing, and I'm in a zone.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
I just needed to get out on my own, live my own life. And I did, and it's great.
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
I think I needed to be really hurt on the outside so the hurt on the inside would realize that it wasn’t on its own and that it had to come out.
Obviously, the music and lyrics are in me, but if I let myself get in my own way, I do. I empty out and let it come, and then the music spirits take over.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
It's much harder, much more work to be your own artist, and it's hard for me to just want to do one thing. I love doing my own music, but I really have to get into a groove with it, which has been difficult over the last few years because I've had so much great work coming in.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.
As a director, I really wanted to learn and I needed to get away from my own stuff to figure out how to just do things and work with good people.
I just want to thank Wayne for even mentioning me. I've been following his career since he started, just watching him evolve. He was always clever with the rhymes. My own quest was always to get my music out to everybody in the world and working with Wayne is truly a way to get it out there.
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