A Quote by Leah Remini
I'm a very by-the-book person.
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I hadn't read any of the books before, but I have since we started. It's so funny because I'm reading a book of a person that I'm playing. Then, here's this person that she's in a relationship with and, what we're shooting now, we're not in a relationship. I'm getting a prequel and a history to these people in the book. It's very odd. It's very weird because it's like The Twilight Zone.
I've had mainstream readers complain that the book is really a romance, and romance readers complain that the book isn't a romance - with the same book! It really depends on the individual reader's expectations going into the story, and that's very hard to predict person to person.
A journal is a very personal thing. As far as possible, to write this sort of book you need to know and feel your character as a person and then put yourself into that person's mind, place and time. Trying to stay in that person, place and time is a challenge when surrounded by this very different world of the 21st century.
I have this very moment finished reading a novel called The Vicar of Wakefield [by Oliver Goldsmith].... It appears to me, to be impossible any person could read this book through with a dry eye and yet, I don't much like it.... There is but very little story, the plot is thin, the incidents very rare, the sentiments uncommon, the vicar is contented, humble, pious, virtuous--but upon the whole the book has not at all satisfied my expectations.
Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.
It's not about you, it's about the next person. The single best use of a business book is to help someone else. Sharing what you read, handing the book to a person who needs it... pushing those around you to get in sync and to take action-that's the main reason it's a book, not a video or a seminar. A book is a souvenir and a container and a motivator and an easily leveraged tool. Hoarding books makes them worth less, not more.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I'm a Pisces, so I'm a very closed-book kind of person.
The technique of the book and the technique carried by the figure of Scheherazade is one of opening the Sultan's mind. He's emblematic of the ignorant person: the ignorant, lock-in, raging man who wants to kill all he doesn't understand. The model of the book is the extraordinary, very-large, Mirror of Princes.
The creation is a very internal process, and publishing the book is a very external process. It is nice to see the book out in the world and people having the same reaction as when I created it. The point of all art is the emotional transference, and when that happens, the book has succeeded.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
I remember going over proofs of this book - my first book - back in 2001, in a bar in Toronto called the 'Victory Cafe', and thinking sadly to myself, 'This is a very good manuscript but not a very good book.' I don't know what I meant by that, but I was pretty heartbroken and sure it was true.
If you're going to have more than one person read your book, they're going to have totally different opinions and responses. No person - no two people - read the same book.
I was fifteen when I first met Sherlock Holmes, fifteen years old with my nose in a book as I walked the Sussex Downs, and nearly stepped on him. In my defense I must say it was an engrossing book, and it was very rare to come across another person in that particular part of the world in that war year of 1915.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
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