A Quote by Leah Remini

I would do another talk show if it was the way that I wanted to do it. Like, you can't tell me what we're talking about, and I want to hear real stuff. — © Leah Remini
I would do another talk show if it was the way that I wanted to do it. Like, you can't tell me what we're talking about, and I want to hear real stuff.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I mostly don't submit to talking about my work because I would like another talk about real life.
Show, not tell, right? Action, not words. You don’t want to hear how sorry I am or how things will be different this time. You want to see it with your own eyes. And until I can show you that, you won’t tell me what I want to hear.
It's a little bit of a shame when I see some fans saying, 'Can you do me a favor and not ask questions to the fighters or the athletes about political stuff, cause we don't care about their opinions, we don't want to hear that, this is not that platform, if we wanted to hear that we would turn to CNN or FOX or ABC,' or whatever the case may be.
When I'm talking to groups that are all men, we talk about how the masculine role limits them. They often want to talk about how they missed having real fathers, real loving, present fathers, because of the way that they tried to fit the picture of masculinity.
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
I like a lot of talk in a book and I don't like to have nobody tell me what the guy that's talking looks like. I want to figure out what he looks like from the way he talks.
If you just had an inspiration at night or with a girl or whatever and you want to talk about it, you don't necessarily want to share it with everybody . . . That's the first thing that made me want to go solo; I wanted to talk about my own things, I wanted to try to be creative [in] my own way.
It's tricky because Instagram is not Grindr. I'm always trying to show my good side. I never complain. When I have a moment of sadness, I make sure no one ever sees. And while I'm so good at talking to friends or talking about my job, if you were to ask me to dinner - just the two of us, in a romantic way - I would be the worst. I'm so shy I would not talk.
You won't hear me talk about my politics, you won't hear me talk about my vegetarianism, you won't hear me comment on the Iraq war. You'll only hear me talk about being gay and being an actor. I am just public on those two issues.
He wanted to hear her concerns and alleviate them, he wanted to hold her and kiss her and convince her that he would find a way to make their relationship work, no matter how hard that might be. He wanted to to make her hear his words: that he couldn't imagine a lofe without her,that his feelings for her were real. But most of all, he wanted to reassure himself that she felt the same way about him.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
I like to just hear people talking and TV is a quick way to hear different periods and genres. It's just interesting to me. I'm pretty easily amused with that kind of stuff.
I don't want to write lines where characters tell me exactly how they feel; I want to see people talk about anything but their feelings, like they do in real life.
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