A Quote by Leah Remini

Are you trying to give me a hint that I should drop it? I can lose the accent; I just have to really focus on what I'm saying. And I have to talk slowly. — © Leah Remini
Are you trying to give me a hint that I should drop it? I can lose the accent; I just have to really focus on what I'm saying. And I have to talk slowly.
They just love the Irish accent in the States. But I just talk really fast because I'm from Cork. It's my speed that really throws them, especially when I get nervous. Doing interviews there is really hard because you can't hear a word I'm saying!
Lots of people have expressed consternation that I haven't gotten rid of Southern accent, but I just never saw any reason to lose the flavor that I grew up with. I enjoy saying some things with a Southern accent.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
The Byzantines hammered away at their hard and orthodox symbols, because they could not be in a mood to believe that men could take a hint. The moderns drag out into lengths and reels of extravagance their new orthodoxy of being unorthodox, because they also cannot give a hint -- or take a hint. Yet all perfect and well-poised art is really a hint.
If you talk with a Southern accent, it's perceived as though you are slow. That's not the case. I've met just as many dumb people who talk without an accent as with.
I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.
I'm not really much of an actor, so when I started on 'The Daily Show,' I was just trying to adopt the faux authority of a newsperson. Having a British accent definitely gave me a sonic leg up on that because there is a faux authority to the British accent in and of itself.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
I did my work slowly, drop by drop. I tore it out of me by pieces.
I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like.
I've heard other actors saying they don't want to play a character with an accent at all. To me, that's kind of an insult to somebody like me who did have an accent.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.
I didn't really give a sh** what's going on in the rest of the world. I just didn't. I just wanted to focus on me, me, me, my career, my life, just me - blinders.
They all trying to say something with music that you can't say with plain talk. There ain't really no words for love or pain. And the way I see it, only fools go around trying to talk their love or talk their pain. So the smart people make music and you can kinda hear about it without them saying anything.
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