A Quote by LeAnn Rimes
I've never heard a song written from a stepmother's point of view, about their family.
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I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in The Partridge Family alongside me, so we worked together for years.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in 'The Partridge Family' alongside me, so we worked together for years.
My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
He sang his last song. And the words of that have never been written down. But it was sweet and of great beauty, and those that heard it were changed utterly. Some say it was the song that moves the stars.
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
When I sat down with all the songs before recording, I realised I'd written a few songs specifically about places in America - there was this song about Detroit and another about Yellowstone National Park. My dad is actually American, so I wrote another song about that side of my family.
To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.
There are lots of podcasts that look at films from the audience's point of view. There are also plenty that look at it from the combatants' point of view. It's invariably the case that the less likely you are to have heard of the people talking, the more interesting they'll be.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
When I write a song it's always from the point of view: makes the song the best it can be.
The first time I heard 'Jolene,' I was 12 years old, and it was performed by Jack White. I remember watching that video and forgetting it was from a woman's point of view, and forgetting it was a country song, and forgetting it was originally by Dolly Parton.
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