A Quote by Learned Hand
There is something monstrous in commands couched in invented and unfamiliar language; an alien master is the worst of all. The language of the law must not be foreign to the ears of those who are to obey it.
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The language of the law must not be foreign to the ears of those who are to obey it.
Concerned to reconstruct past ideas, historians must approach the generation that held them as the anthropologist approaches an alien culture. They must, that is, be prepared at the start to find that natives speak a different language and map experience into different categories from those they themselves bring from home. And they must take as their object the discovery of those categories and the assimilation of the corresponding language.
Good design, at least part of the time, includes the criterion of being direct in relation to the problem at hand - not obscure, trendy, or stylish. A new language, visual or verbal, must be couched in a language that is already understood.
Children must master the language of things before they master the language of words.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
A ruler must learn to persuade and not to compel... he must lay the best coffee hearth to attract the finest men... a good ruler has to learn his world's language... it's different for every world... the language of the rocks and growing things... the language you don't hear just with your ears... the Mystery of Life... not a problem to solve, but a reality to experience... Understanding must move with the flow of the process.
Grammar is not a set of rules; it is something inherent in the language, and language cannot exist without it. It can be discovered, but not invented.
In truth, factual information - names or dates - have never interested me much. Those things are like an alien language that can interfere with the language of the painting, or even prevent its emergence.
For those who have only to obey, law is what the sovereign commands. For the sovereign, in the throes of deciding what he ought to command, this view of law is singularly empty of light and leading. In the dispersed sovereignty of modern states, and especially in times of rapid social change, law must look to the future as well as to history and precedent, and to what is possible and right as well as to what is actual.
Visual art is a foreign language I'm fluent at, but my native language is language.
The language of the land in the Parthian empire was the native language of Iran. There is no trace pointing to any foreign language having ever been in public use under the Arsacids.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
Members of society must obey the law because they personally believe that its commands are justified.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
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