A Quote by Lebbeus Woods

Architecture is a political act, by nature. It has to do with the relationships between people and how they decide to change their conditions of living. — © Lebbeus Woods
Architecture is a political act, by nature. It has to do with the relationships between people and how they decide to change their conditions of living.
Forms in nature are a byproduct of a reciprocal action between a given material and the conditions of the environment. But in architecture, the process is the direct opposite: First you decide on the form, and then you think how to build it in reality.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
I believe that artistic activities change people. You do effect change. I see architecture as a political, social and cultural act - that is its primary role.
Politics is a matter of human transaction. I consider absolutely everything political, because all fiction involves relationships between people, and relationships between people always include matters of power, of equity, of communication.
I am interested in the political economy of institutional power relationships in transition. The question is one of "reconstructive" communities as a cultural, as well as a political, fact: how geographic communities are structured to move in the direction of the next vision, along with the question of how a larger system - given the power and cultural relationships - can move toward managing the connections between the developing communities. There are many, many hard questions here - including, obviously, ones related to ecological sustainability and climate change.
Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
Change does not come on thoughts alone; because we have a revolutionary ideology and give speeches on it. It comes because you can change the material conditions of people, and get people to assist in the change, be the mainstay in the change in their conditions.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
In other relationships, it may be permissible to overpower people, but not between people who are living together. That relationship is supposed to be between equals.
Experience, the interpreter between creative nature and the human race, teaches the action of nature among mortals: how under the constraint of necessity she cannot act otherwise than as reason, who steers her helm, teaches her to act.
The most radical political act there is is to be an optimist. The most radical political act there is is to believe that, if I change, other people will follow suit.
Architecture is a technology. And it's involved in all of the different networks of systems that produce architecture - including politics, economics, social and cultural conditions. So architecture is already in technology.
Architecture is definitely a political act.
I recognize now that the conditions that Indians are living in are the conditions that poor people everywhere are living in.
Thought ... is still possible, and no doubt actual, wherever men live under the conditions of political freedom. Unfortunately ... no other human capacity is so vulnerable, and it is in fact far easier to act under conditions of tyranny than it is to think.
We can look back through ice-core data and see over 800,000 years, relationships between carbon dioxide and the temperature of the world. So those people who deny the importance of climate change are just wasting their time. They're also being diversionary because if we don't act the risks are enormous.
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