A Quote by Lech Walesa

When he saw injustice, he wanted to do away with it. He saw communism, and he wanted to put an end to it. — © Lech Walesa
When he saw injustice, he wanted to do away with it. He saw communism, and he wanted to put an end to it.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
You saw me before I saw you. You had that look in your eyes, as if you wanted something. Wanted it for a long time.
I didn't know I wanted to go into entertainment, but I knew I wanted to be on stage when I was about seven. I saw a play, like most kids do, at a children's theater in Cleveland, and I just saw them up there, and I thought, 'that's where I want to be.'
I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you.
I saw how, when my brother smoked reefer, it made my mother cry. He was 16 at the time. And I saw that she broke down and cried. I never wanted to hurt my mother, so I kept away from drugs.
She saw Valentine's eyes as the sword hurtled toward her; it seemed like eons, though it could only have been a split second. She saw that he could stop the blow if he wanted. Saw that he knew it might well strike her if he didn't. Saw that he was going to do it anyway.
I wanted to be an actor when I saw the movie 'Die Hard.' I saw Bruce Willis shooting guns and blowing stuff up, and I thought, 'I wanna do that.' It really had nothing to do with acting; I just wanted a job that allowed me to do fun, bigger-than-life stuff.
My whole life I saw everybody else get shine, I saw everybody else get money, everybody else wanted to rap. I saw them getting record deals and stuff like that. And everytime I saw that it was damn, I can't wait until my time.
When I saw Courtney Love in 1994, I knew what I wanted to do. The minute I saw a female-fronted rock n' roll band, that changed my life.
She was reflecting back on a truth she had learned over the years: that people heard what they wanted to hear, saw what they wanted, believed what they wanted.
I wanted to write you a story about magic. I wanted rabbits appearing from hats. I wanted balloons lifting you into the sky. It turned out to be nothing but sadness, war, heartbreak. You never saw it, but there’s a garden inside me.
In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.
But, for the role of Sarah Linden, we saw everybody. Everybody wanted this role. Every female actor in town really wanted to play a real woman and be in this drama. It was incredible that all these women were coming in. And then, Mireille [Enos] walked in the door and she was reading the lines that I had written, and I saw her in that field. I was like, "Wow, she's the one."
I saw women's boxing on television for the first time when I was 18, and that's when I wanted to do it. So, it didn't come from me watching my father. I didn't know the sport existed; therefore, I wasn't really interested in it until I saw it.
I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.
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