A Quote by Lee Ann Womack

And I think that's a singer's job. You know, to really interpret a lyric. There's an art to it, and I think some people are really great at it, like Tammy Wynette and George Jones and Tony Bennett.
I'm a lover of old traditional country - George Jones, Merle Haggard, Tammy Wynette, Marty Roberts.
When I look at great singers like Sinatra, Bennett and (Tom) Jones, I see great performers that can really move an audience. I really consider myself a troubadour privately and a song-plugger publicly.
I think I'm so old I'm in. We call it the 'Tony Bennett Syndrome.' For some reason, young people think I'm cool.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
You know, I'm not sitting here like some little woman standing by my man, like Tammy Wynette. I'm sitting here because I love him, and I respect him, and I honor what he's been through and what we've been through together. And you know, if that's not enough for people, then heck, don't vote for him.
I really like Alan Jackson, in Country Music. I think he's really very, very talented along with George Jones, and Merle Haggard, the same old favorites.
A lot of times, people say, 'You're so much like Loretta or Tammy Wynette.' But I feel kind of like one of the men. I'm like David Allan Coe. I've been to prison, man!
George Jones was a big, huge name in our household. George Jones-he is considered country, but in every genre he is known. Everybody knows George Jones. But George has such a unique voice. And he made such timeless songs, like "Color of the Blues", just real hard-core country stuff.
When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.
For my money Tony Bennett is the best singer in the business.
I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.
All too often, when people think about art in the U.K., they think London. There's some really great work being produced outside of the capital city and I think it is important to stop and acknowledge that.
I really like working. I can't think of a job I didn't like. I was in an Alvin and the Chipmunks movie, which is not my idea of folk art; but I really enjoyed making it, and everyone was really nice.
For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He's the singer who gets across what the composer has in mind, and probably a little more.
Some of my biggest commercial musical influences would be people like Merle Haggard, George Jones, of course, Johnny Cash. People that wrote and sang their own stuff, I really admired.
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
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