A Quote by Lee Ann Womack

And I hate to see artists who are real safe. I love to see artists swing for the fences sometimes. — © Lee Ann Womack
And I hate to see artists who are real safe. I love to see artists swing for the fences sometimes.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
There's been enough building of fences with labels trying to categorize artists, limiting artists' ability to be themselves.
I don't see many artists who are not trying to bring their work to the public - -to the contrary I see artists nearly desperate to get attention for their art and, failing that, often for themselves.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.
I didn't see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists?
I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.
People want to peg you as alternative R&B when they hear soul or see the color of your skin. It's comfortable when people see artists of color or artists that come from a different country to put that brand on us. It's just not as linear as that.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.
I own works by women artists; it is hard for me to see, literally to see, how women and men differ in the quality of their work. Why are women artists less known and less admired?
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
An artists job is to see. And to go out in the world and see it firsthand, just as it is; to report with line and words what is seen. To be in the world, not just study about the world, that is the artists task
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
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