A Quote by Lee Atwater

Most of the time I was in grammar school through high school, I was in some kind of rock n' roll band. I would say that at least 80 percent of my energy was involved with whatever band I was involved in.
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
When I was going to high school, in the high school band we would play these kind of hour-long concerts for our parents. All the parents would come to the gymnasium, and the band would play an hour-long kind of orchestra piece. 'Synchestra' is supposed to be similar, like a high school band orchestra piece.
Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.
Justin [Di Cioccio] was [at Laguardia School of Arts]. He later took over at Manhattan. But I knew Justin through the McDonald's band, which at the time I was finishing high school and starting college, I got involved with. I was not that heavily involved with the school at MSM my first year there. I took a semester off to start my 2nd year. Took classes I felt like taking during my third semester, but by the start of my third year, September of '86, they began the undergraduate jazz program and I joined that program.
When I was in high school, The Dave Matthews Band was a local band, and that was the first time I was starting to connect with a live band that was something that wasn't on the radio or TV.
Since high school, I was in this band. And you know, it's one thing when you're in a band in high school, but then to have it last for so long - that's who I am and what I did forever.
My band got signed in high school when I was 16, and we all dropped out of high school and went on tour. Then I quit the band because I was the manager, and I was doing everything, so I went solo.
When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.
The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.
You know, in the 1970's, when I was in high school, I belonged to a band called the Happy Funk Band. Until an unfortunate typo caused us to be expelled from school.
My mom passed away a day before high school started, and her dream was for me to be a full rock and roll guy, and play drums in a band.
The misunderstanding out there is that we are a 'hard rock' band or a 'heavy metal' band. We've only ever been a rock n' roll band.
At 14, I was in my own little classic rock country band. Then, after high school, I started another band called Northern Comfort. That was based out of Chico, Calif.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
The biggest problem in rock journalism is that often the writers main motivation is to become friends with the band. Theyre not really journalists; theyre people who want to be involved in rock and roll.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
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