A Quote by Lee Bermejo

I do feel like 'The Dark Knight' is a great film, but that Batman in there? He's almost like Robocop to me. He's almost robotic looking; he's got this surgical approach to everything... He's almost not human. That's supposed to be his whole point: he's supposed to be the most human of superheroes.
Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.
Almost halfway down the aisle, she saw someone she wasn't expecting, and she almost stumbled on her satin heels. Kingsley Martin stood at the end of a pew, his arms crossed. He was wearing a tuxedo as well. Just like any other guest. What was he doing here? He was supposed to be in Paris! He was supposed to be gone! He looked directly at Mimi. She heard his voice loud and clear in her head. Leave him. Why should I? What do you promise me? Nothing. And everything. A life of danger and adventure. A chance to be yourself. Leave him. Come with me.
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe. I’m hoping hard for that.
The Dark Knight series is all from Batman's point of view. But if you look at Dark Knight 2, you'll see a Superman who's much calmer than the one in the first Dark Knight. Batman and Superman are dead opposites. I love Superman. Do I love Batman more? They're not people. They're only lines on paper.
When you grow up looking at Superman, Batman, and all those superheroes, you take it for granted that is what superheroes are supposed to be. So then, when I see art books at the library, and I'm seeing Leonardo da Vinci and Michelangelo and Rembrandt, I think that's what artists look like.
I can look back at it now as definitely like an initiation into adulthood. Almost overnight in the NFL, I was put on a pedestal and I was supposed to be this icon or this image of what a professional athlete was supposed to be. I felt like I just got stuck trying to be someone else and I forgot who I actually was.
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
I just think there are certain men who feel like engaging in a story told from a female point of view is somehow a feminizing experience. And that itself is something that they're almost supposed to not want to engage.
Almost any dog thinks almost any human is the Great Spirit, the Primal Creator, and the Universal Force Behind the Sun and Tides. What human can resist?
Be a pro. • Act like a champion. • Respond to adversity; don’t react. • Be on time. Being late means either it’s not important to you or you can’t be relied upon. • Execute. Do what you’re supposed to do when you’re supposed to do it. Not almost. All the way. Not most of the time. All of the time. • Take ownership. Whatever it takes. No excuses, no explanations.
You go to certain movies where everything will be right and you will be invested in the story, but a movie like 'The Room' affects you instantly, and you are left with asking questions. You're almost like a part of the movie, as its not doing what it's supposed to do, and you become one with the film, and you say what you want.
Poetry is almost like my foundation for everything. I almost feel I am a better actor and writer because of it.
I do feel almost violent when I'm watching things that I don't think are good enough. I get furious for the audience. I want to say to them, 'This play is not supposed to be like this. They've got it completely wrong. You should be electrified by this.'
Acting for me is liberating. It's almost like therapy, because I grew up in a blue-collar environment where you're not supposed to have feelings. So it's freeing to be in a safe place like a TV or film set where you discover feelings, and where you're supposed to be open and honest with everybody while exposing the weakest parts of you. And then when people congratulate you on revealing the weakest part of who you are, then you start realizing that that might not be weakness. It might be a different kind of strength.
We treat our dogs as if they were "almost human": that is why they really become "almost human" in the end.
It's totally produced now. It's almost like a conveyor belt of what metal's supposed to be like these days. It's not music to me.
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