A Quote by Lee Child

I think my books come out very visual, which is an obvious consequence. — © Lee Child
I think my books come out very visual, which is an obvious consequence.
I'm very interested, in all my books, in community, what binds people together, which I think is an obvious consequence of being the fourth of six children.
But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched 'OSS 117: Cairo, Nest Of Spies,' which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and 'OSS 177' and also 'Pink Panther' movies.
My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.
I'm more of a visual person, but I think that reading's extremely important. But I'm very easily distracted. It takes certain books to really grab you in.
With books, as with companions, it is of more consequence to know which to avoid, than which to choose; for good books are as scarce as good companions...
I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people do, every year. It's a very competitive field, of course. I immediately got swept away into the visual side of things, starting with visual effects, and then designing.
It's obvious that there are vast variety of consequentialist views, depending on what we think goodness consists in, what our notion of consequence is, and what level (or levels) of human action we think the principle should be applied.
To me, it's obvious that the winner has to bet very selectively. It's been obvious to me since very early in life. I don't know why it's not obvious to very many other people.
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
I write books to open people's minds, to present new perspectives, to make people realize that what they think is obvious is not so obvious, that you can look at a trivial situation from a different angle and suddenly reveal other meanings and levels.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.
I'd say, in some ways, I'm very Bengali. I have a love of the arts - dance, music, visual arts - which I think is a very Bengali trait. I also love food, which I know is very Bengali!
The universe shows us the life of God, or rather it is in itself the life of God. We behold in it his permanent action, the scene upon which his power is exercised, and in which all his attributes are reflected. God is not out of the universe any more than the universe is out of God. God is the principle, the universe is the consequence, but a necessary consequence, without which the principle would be inert, unfruitful, impossible to conceive.
I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.
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