A Quote by Lee Child
I'd been a thriller reader all my life.
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I am an avid reader of Sidney Sheldon thriller novels.
If you are writing a thriller with violence in it, the ending must be violent. You are delivering a promise to your reader.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
A good writer can set a thriller anywhere and make it convincing: the trick is to evoke the setting in such a way that it highlights the crime or unsettles the reader.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.
I have produced my first film titled 'BMW.' It is a thriller, which has been made keeping in mind the international audience and Indian as well. It is an intelligent thriller and well-made, which will hopefully be appreciated in the international circuit.
I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
It is obvious enough for the reader to conclude, "She loves young Emerson." A reader in Lucy's place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome "nerves" or any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy
When I was a teenager, I used to watch the 'Making Michael Jackson's 'Thriller'' video and try to follow the steps and do the 'Thriller' moves in my bedroom. That was the most incredible dance sequence.
I have always been immersed in a world filled with words, earlier as a reader and now, finally, as both a reader and a writer.
Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
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