A Quote by Lee Child

In principle if I could not have a home I wouldn't. But not having a home would be too difficult procedurally, going from hotel to hotel, the gap of three hours where you're hungry and tired.
I love that you can pick up your phone at a hotel and have something to eat in your bed. I love home, but there are amenities at a hotel that you simply don't have at home.
One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.
A hotel is a hotel all the world over, a place essentially vulgar, commonplace, venal, the travesty of a human home.
I envisioned huge piles of the Elf Hotel flying off the belt, taking down everybody in sight. I had seen pictures of that Elf Hotel - it had sharp candy-cane spires that could easily impale someone. If anyone was ever going to be killed by an Elf Hotel, it would be my parents.
During Breaking The Waves, I was on my own in a hotel room. I think I would have been impossible to live with. When you go home, you have to pretend to be the person you are at home.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!
I don't know how many bands I saw who would try to wreck a hotel room, but I never wrecked a hotel room in my life! If I'm gonna sit there and throw a TV out the window... if it's a good TV, maybe I should just take it home.
What's great about this hotel [Sheraton Universal Hotel in Universal City, CA] is that I stayed here for a month when I was competing on the Oprah reality show. So it's like coming home.
Making a feature like 'Hotel 3' or 'Hotel 2' is kind of fun and jokey. It doesn't take itself too seriously. You could do whatever you want, basically.
I personally always took the view that, if you look at the case of should a Christian hotel owner have the right to exclude a gay couple from a hotel, I took the view that if it's a question of somebody who's doing a B&B in their own home, that individual should have the right to decide who does and who doesn't come into their own home.
I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.
I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
The very best hotel I've stayed in is the Intercontinental on Park Lane. We went there for the Chelsea Flower Show a few years ago, and it was sheer luxury. Everybody had a smile on their face. I came home and changed all my pillows because the hotel ones were so beautiful.
You need to have a home to go back to, whether it's a hotel room or a barn. It's only home when he's there.
With me, traveling for work is arriving at the airport, checking into the hotel, leaving the hotel the next morning at 4 or 5 to do something like 'The Jimmy and Jackie Captain Crazy Morning Zoo,' doing a bunch of those in a row, then going back to the hotel, and then finally going to the club.
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