A Quote by Lee Child

Male authors always take care to make their heroes at least one inch taller than they are, and considerably more muscular. Just as female authors give their heroines better hair and slimmer thighs.
I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors.
I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors
Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
All through my twenties, I spent more time worrying what I didn't have than thinking about what I did have. I wished that I was taller, had longer legs, slimmer hips, a smaller bottom, even straighter hair.
What a heartbreaking job it is trying to combine authors for their own protection... the first lesson I learned was that when you take the field for the authors you will be safer without a breastplate than without a backplate.
the way in which a faith community shapes language about God implicity represents what it takes to be the highest good, the profoundest truth, the most appealing beauty. ... While officially it is rightly and consistently said that God is spirit and so beyond identification with either male or female sex, yet the daily language of preaching, worship, catechesis, and instruction conveys a different message: God is male, or at least more like a man than a woman, or at least more fittingly addressed as male than as female.
My writings are limited to depicting analytically, but also polemically, the horrors of reality. Redemption is the speciality of other authors, male and female.
Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.
Female authors were still using male names when I was young, or they were neatly shoehorned into womens books except for those few that men could always point at when the disparity was pointed out.
Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.
Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.
Take away from English authors their copyrights, and you would very soon take away from England her authors.
Authors will make far more on those ebooks through direct sales than publishers are offering. There is no incentive for authors to sell those rights to traditional publishers which means, in the fairly short term, publishers run out of material to sell.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
If the rewards to authors go down, simple economics says there will be fewer authors. It's not that people won't burn with the passion to write. The number of people wanting to be novelists is probably not going to decline - but certainly the number of people who are going to be able to make a living as authors is going to dramatically decrease.
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