A Quote by Lee Corso
Remember one thing about ESPN: People can be critical of them sometimes for being a large corporation but nine years ago I had a stroke and I couldn't talk. That's the way I made my living. ESPN could've dumped me very easy, but they didn't. They helped me and presented me an opportunity to get back on the air.
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I got fired - November 8, 1979. And all of a sudden, I got a call, two weeks later, about doing a game on ESPN. And I truly said - Scotty Connal, the head of ESPN production at the time, was the guy that called me - I said, 'Man, ESPN sounds like a disease. What is ESPN? I know nothing about it, never heard of it.'
Ultimately, college football is a huge passion of mine. In my opinion, I really feel ESPN owns college football. The only way I think I could have left ESPN was for an opportunity to call NFL games. That was the opportunity I had at Fox.
It was tough getting fired by the NBA. I really didn't know where I was going, until [ESPN] called me. I said, "Hey, 'ESPN?' Never heard of it. It sounds like a disease." Now I have that same disease as a sports fanatic. All this sports madness we didn't have years ago, now I'm very blessed and fortunate to be part of it.
People ask me, 'What's it like to leave ESPN?' and I say, 'I'm not leaving ESPN. I'm leaving ESPNU.' That's what I was on. That network doesn't even have a sales staff.
I open journal, I look at the picture and I remember where I was. And I remember the time of day, the temperature of the air, what music was playing, or who was talking to me, or who was looking over my shoulder and what conversations we had and the smells of the earth and the time of year it was. It's all there for me in a way that we don't get looking at a snapshot. Most of us look back at a snapshot from ten years ago and say, where was that? We don't even remember where we were.
If ESPN ever kicked me out the door and I had to get back to coach, I have to stay on top of what's going on.
On that Sunday of the Masters I remember turning on ESPN to find people talking about me. I switched over to the Golf Channel and people were talking about me. It was hard to escape.
Ten years from now, we'll still be talked about as the first gay couple that ESPN had in 'The Body Issue.' You might not realize, in the moment, the impact that something like that can have. Every now and then, when you talk to people and hear the reactions, maybe we helped somebody.
I watch ESPN all day. If you come into my trailer, ESPN is on. That's the first thing I do when I leave the set.
Hard as it is to believe, there were three magazines fighting over me. 'Newsweek' wanted to keep me, 'ESPN The Magazine' was coming into existence and wanted me, and 'SI' wanted to bring me back. Isn't that amazing? I had a choice, like a free agent.
I have always let the lack of Indian actors in the industry drive me, not hold me back. I remember an agent in L.A. telling me a few years ago that an Indian actor wouldn't ever make it in Hollywood, but my ethnicity has helped me.
I mean ESPN plucked me out of nowhere and I'm forever grateful for the opportunity. I don't love the way it ended. But I'm not a grudge-holder.
You always think as an organization, obviously if you're in sports, you want to be with ESPN. ESPN is it. But you don't really realize how good ESPN is and how big their platform really is until you're in it.
When they put me on ESPN and they talk about negative things, or when they put me on TMZ and they talk about negative things, I'm just glad that I'm relevant; to have lasted this long being relevant.
That was the coolest thing about 'Baby Got Back.' The establishment didn't embrace the song, which is what kept me from being the next pop guy to fizzle out and get laughed at, get dissed on TV. That helped save me. The fact that MTV banned the record made the record, in a weird way.
I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.
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