A Quote by Lee Daniels
I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.
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I want to go to places that are unexpected of me because people really think they have me pegged.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
Personally, I know that it's taken me a few different kinds of workouts to find out what's good for me because I completely relate sometimes, when I'm like, 'I don't really want to go to the gym because I don't want people to see me like this.'
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
People want to go to a musical to be razzled and dazzled, so to have an opportunity to do a musical that feels serious and moving is exciting to me. Especially since people think of me as a silly, funny person, so I like to be able to show that other side of me.
I enjoy being a character actor; I enjoy being different in everything. I want a private life; I want to be able to go to 7-11 and not get into a fight with a guy because he saw me in a movie, or not have people hitting on me simply because they saw me in a movie.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
I love the intimacy and the passion and the danger that go into independent filmmaking. Because it comes out of a creative necessity. It comes from people who really want to make a movie and want to make a difference and want to grab an audience by the gullet and show them something different.
I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.
'So,' he said as we turned onto the main road, the muffler rattling, 'I've been thinking.' 'Yeah?' He nodded. 'You really need to go out with me.' I blinked. 'I'm sorry?' 'You know. You, me. A restaurant or movie. Together.' He glanced over, shifting gears. 'Maybe it's a new concept for you? If so, I'll be happy to walk you through it.' 'You want to take me to a movie?' I asked. 'Well, not really,' he said. 'What I really want is for you to be my girlfriend. But I though saying that might scare you off.'
I don't think I would want to do an animated movie because I've already made so many hours of animation that what's the point? I'd want something new and weird to challenge me in a different way.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
I want a director who can let me feel that he's listening and watching and that he's got me covered. That security is really important for me because sometimes you go into a vulnerable space, and you want to be able to look to somebody because you get insecure: 'Did I do that right?'
I actually had four space flights altogether, three times on shuttles. My second flight was really unique for me because I was going back into space, first of all. The first one was like an appetizer at a nice dinner. You know, you want to go up and you want more. So, the second time I got into space, it was neat because I got to actually do two space walks.
Maybe he didn’t really encourage me to do things, but he didn’t prevent me from doing them either. But after a while, I didn’t do things because I didn’t want him to think different about me. But the thing is, I wasn’t being honest. So, why would I care whether or not he loved me when he didn’t really even know me?
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
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