A Quote by Lee Daniels
I'm not tough when it comes to people criticizing the people that I protect, and those are the actors. It makes them scared to do it again for another director.
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Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
Those Montana Indians were so tough that white people were scared of them. Can you imagine a place where white people are scared of Indians and not the other way around? That's Montana.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.
It gets better. It seems hard, you know, I think being different is always gonna be a tough climb. There's always gonna be people that are scared of it. But at the end of the day you give those bullies, those people, that are so ignorant, if you give them the power to affect you, you're letting them win. And they don't deserve that. What you're doing by being yourself is you're keeping it real, and you're being really brave.
As a director, my job is to protect. I protect scripts, actors, cameramen, designers.
When I talk about places like Saudi Arabia or Israel or even now with Venezuela, I'm not criticizing the people. I'm not criticizing their faith. I'm not criticizing their way of life.
Criticizing people, winding them up, making idiots of them or fooling them doesn't make people with autism laugh. What makes us smile from the inside is seeing something beautiful, or a memory makes us laugh. This generally happens when there's nobody watching us. And at night, on our own, we might burst out laughing underneath the duvet, or roar with later in an empty room ... When we don't need to think about other people or anything else, that's when we wear our aural expressions.
I'm totally fine with people criticizing me in shows... people like this show, or don't; you're entitled to your opinion. But when people are criticizing you as a person, I have to say it's a little bit different.
Bring me another bad one, and I shall protect my British people - I brought down Thatcher to protect my people, and I'm bringing down Tony to defend them, and I'll be there for any other dangers that come along.
People who work for me are working for what I believe in. The leaders who run our companies do so on the basis of those who came first and who said, "A company is its people." I hope my companies are run on the basis of praising their workers and looking for the best in them, not criticizing them. In the same way that you water a plant and it sprouts leaves, people flourish when you praise them.
People are scared to make something that doesn't look like another film that made a lot of money. It means we get 'Four Weddings And A Funeral' made again and again.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
I'm scared of the interviews...I'm scared of having to get up onstage again. I'm scared of the critique. I'm scared right now of doing this again. But that's why I have to do it, I think.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
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