A Quote by Lee Daniels

Stars make money on real movies. They make big money on real movies. To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture.
To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture. We're making a movie. We're making it like we're putting on a play.
Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome.
I got a reputation for being sort of nuts and difficult, because I was at that point, so I wasn't much in demand. And also, on the basic level, I'd made a lot of movies that didn't make money. And if you make movies that don't make money - I mean, it is a business, after all - you are not in demand.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
Some people make movies and think, "Well, I'll just keep asking for more money if this isn't enough." And then there are other people, like Clint Eastwood, who always come in under budget.
Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.
Hollywood's a big place, and they make all sorts of different movies. Some movies I'm attracted to; a lot of the movies I'm not. But there are some terrifically talented people over there that I'd love to work with.
I'm not averse to earning someone; in fact I'd love to earn some money. But also my choices of movies don't tend to make money but I get to make interesting films. But it doesn't mean I don't want to earn shitloads of cash.
You have to be in movies that make money to be offered work. Basically that's the equation. There's no real way around that. That said, you don't ever make decisions solely for that reason.
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
It's tough to make a good movie. I think the bigger the movies are, the worse they are. A lot of big movies make a lot of money and you kind of forget about what they are and they don't really make you think.
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make movies about real people.
I was directing as a kid in movies, and that was always my strongest interest. When I was under contract at Universal, I conned an editing room out of them and spent my money to rent a camera and shoot film and make some movies.
Business skills, when well applied, can do more than just make money. They can potentially make money and do some real good, which is immensely satisfying. To do that, it's important to think outside the box, take risks, and be an entrepreneur.
I never expected to make a living from climbing, but it got to the point where I either had to get a job or start trying to make some real money from it. I didn't want to be 45 and a dirtbag.
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