A Quote by Lee Daniels

I have a partner, Danny Strong; he's an incredible writer and, really, my backbone. So when we don't see eye to eye, it's painful. — © Lee Daniels
I have a partner, Danny Strong; he's an incredible writer and, really, my backbone. So when we don't see eye to eye, it's painful.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
Serving people we don't see eye to eye with is the essence of Christianity. Jesus died for a world with which he didn't see eye to eye. If a bakery doesn't want to sell its products to a gay couple, it's their business. Literally. But leave Jesus out of it.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
The eye through which I see God is the same eye through which God sees me; my eye and God's eye are one eye, one seeing, one knowing, one love.
Me and my mum didn't see eye-to-eye for a lot of years, and I've never really felt connected with my dad, because he wasn't there.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
If a playwright tried to see eye to eye with everybody, he would get the worst case of strabismus since Hannibal lost an eye trying to count his nineteen elephants during a snowstorm while crossing the Alps.
The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.
I don’t believe in eye-for-an-eye. The most incredible, sustainable, beautiful movements have been non-violent movements of civil disobedience.
You are not your body; you are the eye. When you see the spirit, you are free of the body. A human being is an eye – the rest is just flesh and bones. Whatever your eye sees, you are that.
I believe a writer is an eye, a pervasive eye that sees the reality that surrounds us, as well as the impression it makes on our souls. It reacts — or does not react — by putting it on paper.
On a spiritual level, it's as though with my sighted eye I see what's before me, and with my unsighted eye I see what's hidden. It's illuminated life more than darkened it.
The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film.
I'm legally blind in one eye, and one eye is a totally different size than the other, and I have, like, a weird crossed-eye thing.
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