A Quote by Lee Daniels
Most times when I do a film, it starts out with one idea and ends up not being what I thought it was going to be.
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That's how a thing starts out real then ends up just an idea.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
Feminism starts out being very simple, and it ends up being a world view that questions hierarchy altogether.
When you are making a film, you do not know how it is going to be received by the audience. In fact, if you set out to make a film thinking that it will make 100 crores, it never ends up making that much money.
Often times, I'm surprised by what I'm writing or what I'm playing, and then that inspires me to keep going with it, so it ends up being a very adventurous process.
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.
It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being the first sequence that goes into animation, and ends up being almost shot-for-shot the same.
I really don't like going out. I don't like restaurants because I don't like the idea of someone, a waitress, being responsible for my evening. I like seconds, and more, and lots of conversation, and I've always hated the idea that in a restaurant an evening just ends. I find that incredibly depressing.
So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men.
I've done four records now, and your idea of what it's going to be for that record is never what it ends up being, so there's cynicism in my outlook but there's also some positive outlook in it, like, "I can't really control anything outside of what it is that I do, so I'm going to do my very best and put my best foot forward in everything that I do." The music and whatever else comes outside of that, if something great comes out of it, awesome, if not, I'm going to make another record and another one after that. That's really all I can do.
I'm doing the exact same thing and adding a little bit more flexibility. I'm going to bench here. I'm not a kicker who's just going to hang out at practice. I'm going to be in the weight room pushing linebackers, defensive ends, tight ends. I'm going to push everyone. whatever I'm doing, I'm putting up numbers that someone else would do. Not only do I love working out, but at the same time it's able for others to maximize their potential.
Everything is being synced up, and it's harder to see where the skill starts and the technology starts and ends. Maybe that's a good thing; it's more enjoyable for the listeners, more enjoyable for the party, if you don't need to worry about things falling off. So maybe we can concentrate on other aspects of the art form.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
To me, faith is being thankful when things in life are going well and also being thankful when they are not. Its often through our most difficult times when faith lifts us up and gives us the courage and the strength to work even harder to accomplish a new goal or do something we never thought we could.
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