A Quote by Lee Daniels

I knew that I'd end up directing because I'm so hands-on with my films. — © Lee Daniels
I knew that I'd end up directing because I'm so hands-on with my films.
I like writing and directing. I enjoy telling stories, and I think it's born in a comedian to end up directing.
I've done all the other kind of production work on films than directing really badly. That is the truth. It's made me a better director because I feel like directing is the only thing I can really do.
Being on a grand jury felt like attending a series of hangings in a legal Wild West. Hands up for a true bill. Hands up for a dismissal. A show of hands to save a life, or to end it.
It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
I think, with 'Pride,' I always knew that was something amazing because of the people who were in it and the story and the way it was written and who was directing. Anyone in that cast knew it was special.
In the back of my mind. I always knew WWE was where I should be and where I would end up. Or where I could end up. Where I deep-down wanted to end up.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
I'd be up three grand and I'd end up losing the lot. It didn't affect me because I knew I was about to get a move and the signing-on fee would make up for the money I lost.
I knew the name; I knew who Leatherface was. But I hadn't seen any of the films, mostly because I'm a scaredy-cat.
I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
Directing is all tied up with childhood loneliness. It's such an odd thing to end up doing.
I built up a knowledge of 1960s and '70s British films because my dad used to work nights, and I'd sit up with my mum and watch films - 'How I Won the War' and the films of Richard Lester, Karel Reisz and John Schlesinger.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.
There is a space for all sorts of films because the audience wants to watch all kinds of films at the end of the day.
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