A Quote by Lee Grant

First of all, the leads aren't the kind of acting work that I like. The parts that are meatier are not the ones that have to have a romance. — © Lee Grant
First of all, the leads aren't the kind of acting work that I like. The parts that are meatier are not the ones that have to have a romance.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
I think a lot of the dull parts of first drafts come from a kind of over-managing, intrusive writer who wants to direct traffic. The idea of taking out the parts that the reader could infer is very liberating, and it's weirdly part of radicalizing your work: it allows you to go to new places fast.
I think it's weird that we expect ups and downs in friendships, but not in relationships. It all has to be romance, romance, romance - but there's two people and there are always going to be disagreements, and you have to work at it.
It's kind of like a midlife crisis kind of thing. When you turn 40, you have to run the marathon, while all the parts still work properly.
All sciences are connected; they lend each other material aid as parts of one great whole, each doing its own work, not for itself alone, but for the other parts; as the eye guides the body and the foot sustains it and leads it from place to place.
I don't do so much acting work now, as there aren't the parts except for 'Tango'. So if I didn't have the cabaret work, I don't know what I would be doing.
Any work I do I think is important...like in acting there are no small parts- only small actors.
As we see dislocation and disruption in certain parts of the country, from rural areas to my home in the industrial Midwest, and in the economy, this leads to a kind of disorientation and loss of community and identity. That void can be filled through constructive and positive things, like community involvement or family.
I like acting because I get to find different parts of myself, or at least create different parts that don't already exist, and see the world through someone else's eyes.
If we believe in the free market, then that leads to the big corporations taking power, that leads to this competition to lower wages, and that leads to precarious work.
Hillary Clinton was the first professional First Lady, the first feminist First Lady, the first First Lady from the '60s generation, the first First Lady who was the breadwinner in the family. A lot of America liked and admired that. Some other parts of America found that unappetizing and even kind of threatening. So she became a flashpoint simply for who she was.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
You can't have the real thing on camera - that's the nature of cinema. When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you're seeing the phoniest kind of bad acting. You may as well have a 'men at work' sign. It's not acting if you can see it.
And yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever.
Love is not blind. Romance is. Romance is the most dangerous thing. Romance is like an illusion. It shows you things, and you hear things that don't exist.
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