A Quote by Lee Hazlewood

I think for writers who write that kind of stuff, they want to make changes. Look at Kris Kristofferson and Dylan. I mean, whole generations come along liking that stuff and that's great.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
Townes Van Zandt ranks alongside Kris Kristofferson and Bob Dylan. He inspired so many songwriters to shoot for something that's timeless.
Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.
I want to make stuff. I want to make movies and direct stuff and produce stuff and write stuff.
It would be great if teenagers could make movies. It's sad how some writers think they can write about stuff they don't understand.
Usually when I write lyrics I try to read a lot and listen to a lot of other stuff. Some of my favourite lyricists are like Lou Reed, kind of the classics - Bob Dylan and stuff like that.
It used to be that you needed a $500-million-a-year company in order to reach a worldwide audience of consumers. Now, all you need is a Steam account. That changes a whole bunch of stuff. It's kind of a boring 'gee, information processing changes a stuff' story, but it's going to have an impact on every single company.
I'm kind of a failure. I mean, I'll be honest. I'm successful in that I'm getting to work on great stuff, but I think I'm a failure in all the personal stuff that is most important to me.
There's the hype stuff that people love for five minutes and then there's the stuff that changes cultures and shifts how you look at music. And then there's that rare point where that hype stuff changes the game.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.
I've listened to Dylan my entire life. My dad was a huge Bob Dylan fan, so we listened to his music, Cat Stevens, Simon & Garfunkel, and all that kind of stuff. It opened up a whole world of this music that I'm now obsessed with.
I think it's up to writers to write stuff that is compelling enough that people want to watch.
There's a choice that we have to make as people, as individuals. If you want to be great at something, there's a choice you have to make. We all can be masters at our craft, but you have to make a choice. What I mean by that is, there are inherent sacrifices that come along with that. Family time, hanging out with friends, being a great friend, being a great son, nephew, whatever the case may be. There are sacrifices that come along with making that decision.
I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff... the whole emphasis on what does it mean? Everybody has their own particular vision.
[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.
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