A Quote by Lee Hazlewood

I just did one movie and there was no career for me, anyway. — © Lee Hazlewood
I just did one movie and there was no career for me, anyway.
I think after 'The Day The Earth Stood Still,' I really stopped thinking strategically about my career. I just did. At that point, it became crystal clear to me that you can strategise your career all you want, but it's so difficult to get a movie made, and creativity shouldn't be subjected to that kind of strategic thinking.
I never really did years of movie-after-movie-after-movie but when you've got three toddlers in the house you're performing all day long, anyway, with puppet shows and stories - I act around the clock.
I just ended up focusing on film editing as I was getting my career started. I'm very passionate about editing and will continue to edit for the rest of my career, but it's not like that was all I did and then somehow I grew into directing a movie.
I wanted to make sure that I did one movie in my career that mothers hug me for.
[Frank Sinatra] was an incredible artist, the best at what he did, but it never occurred to me to model my career after what he did. There was no one I modeled my career after because there was no one else who did what I did.
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
I don't think it was me getting rid of any sort of imageI do specific things in my career that are tailored for a specific audience. Obviously I have a younger generation that looks at me - and I really appreciate that. And I just did an animated movie, so I want to respect that and still do things that will earn me that respect. But I also want to do things that challenge me and put me out of my element.
When I did 'Clockers,' I didn't even think about having a career in acting, I just thought, 'Wow, this is cool. I get to do a little movie.'
The movie 'Scandal Makers' did so much better than I had thought. During that phase of my career, the people around me warned me that whatever goes up could always come back down.
It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.
We can't negate television. Unfortunately, I do feel in many ways that it did kill my movie career. It did do that. But would I not do it again? Do I have any regrets about doing it? No.
Everybody wants a movie career. I found that pretty elusive. I did make a movie with Martin Sheen about a nuclear scientist who has a religious experience. I don't even know what it was called. I don't think it was ever released.
The Tamil film '3' is a movie that I will always be proud of, irrespective of whether it did well at the BO or not. It completely changed my career and people's perspective of me as a performer.
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play.
I don't do a lot of strategizing, career-wise. I was approached by Chris and Phil, the guys who did 'The Lego Movie.' They gave me my first job on 'Clone High.' We've been friends forever, and they asked me if I wanted to write something with them.
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