A Quote by Lee Je-hoon

In 'Move to Heaven,' my character tries to listen and find out stories about the deceased and convey them to their families. — © Lee Je-hoon
In 'Move to Heaven,' my character tries to listen and find out stories about the deceased and convey them to their families.
Stories move in circle. They don’t move in straight lines. So it helps if you listen in circles. There are stories inside stories and stories between stories and finding your way through them is as easy and as hard as finding your way home. And part of the finding is the getting lost. And when you’re lost you start to look around and to listen.
I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
I make hip-hop, but use Doom as a character to convey stories that a normal dude can't. You have writers that write about crazy characters, but that doesn't mean the writer himself is crazy.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
The stories we tell each other and the stories we tell about heroism, about magic, about faith - those things say a lot about who we are and the kind of lessons that we wanna convey to our children.
I'd just like to point out that almost all of these stories in this collection were rejected by some publication at one time or another, some of them have been rejected a lot, in fact. Find people you trust and listen to them.
I love when stories have something a little magical in them, and there's wonder and curiosity. Somewhere there are people living these improbable stories, and our job is to go out and find them and bring them to the page. And so, the more surprising, the more uplifting, the more sort of even inspiring a story is, I find myself gripped by those.
While you're testing out armatures of puppets, you're also trying to find the proper visual vocabulary for the character and to come up with a guidebook of sorts for how a character will move and act.
God was on the move; God is on the move; and God will always be on the move. Those who walk with God and listen to God are also on the move. Reading the Bible so we can live it out today means being on the move—always. Anyone who stops and wants to turn a particular moment into a monument, as the disciples did when Jesus was transfigured before them, will soon be wondering where God has gone.
There's great poetry in the Old Testament and the New Testament. And I'm not interested in trying to prove whether this paragraph is as it was or as it should have been or should not be. My pursuit is to find the truth for me in those stories and make them apropos. The important thing is that people wrote them. These were inspirational stories, and you got to see them that way. If you don't, you'll get in trouble. So I'm not going to spend a lot of time trying to find out whether or not Mary was a virgin. What do I care about Mary being a virgin?
I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.
We are opinionated society. We're very happy to spout forth our own views; we're not good about listening. We have to listen to other's stories. Learn to listen to the stories of the terrorists just as we hope that they will listen to ours because very often these narratives express frustrations, fears, and anxieties that most societies can safely ignore.
'LazyTown' is on a mission to move the world to be a healthier place. When we get kids moving, we get their families moving. And when families move, we are one step closer to moving the world. Move the body, move the mind, every day.
I don't have them down here asking me what my urban agenda is. I don't find them really doing in-depth stories on community-based organizations that have been struggling for a long time and who are out trying to get funds. They aren't interested in those stories.
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