A Quote by Lee Jong-suk
While acting in 'W,' my worries about the way I act settled down. I also discovered another side of myself. It was a turning point.
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As I looked about the world, so much of it impoverished, I became increasingly uncomfortable about having so much while my brothers and sisters were starving. Finally I had to find another way. The turning point came when, in desperation and out of a very deep seeking for a meaningful way of life, I walked all one night through the woods. I came to a moonlit glade and prayed.
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
It means we're looking one way, while following another. We're for one side and also the other. We mean what we say, but our intentions are different.
Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
Have we even so much as discovered and settled the shores? Let a man travel on foot along the coastand tell me if it looks like a discovered and settled country, and not rather, for the most part, like a desolate island, and No-Man's Land.
Not everyone wants to live forever, but every culture has always desired immortality in one way or another. Humans have always believed in the possibility of another life, of a second act. We've also always hoped that there might be a way to avoid dying. The term "cultural-universal" is a complicated one, but I've heard it come up on numerous occasions while researching immortality.
This is sort of inflection-free acting [playing Maigret], and I really wasn't sure if I could do it - you make your mind up on whether I've succeeded or not. But yes, I found it difficult when we were shooting; it was a couple of weeks before I settled into not worrying - to finding a way of delivering those lines - so my worries of many months before I think had been justified. I found it a difficult way of being.
Climate change is there as a reminder that we can get richer and safer societies that are also consuming more and more to the point where the stability of Earth's systems is being challenged at potentially catastrophic levels. I don't think we can stop that. Just the very same worries I have about prediction on the positive progressive side - I mean, predictions that say we'll be great, we'll be fine - also apply to predictions that are too catastrophic. I'm not sure we get those predictions right either.
Today is such a strange day. The news is out about the Russians and mini-Donald. This seems like a turning point, but it certainly has felt that way before. Like all of us, I am vibrating with electric uncertainty. How do you manage to concentrate and write poems? I know that for me it is just a relief to be in that sort of thinking, away from the news and all the immense global and personal worries.
I think that nonviolence is one way of saying that there are other ways to solve problems, not only through weapons and war. Nonviolence also means the recognition that the person on one side of the trench and the person on the other side of the trench are both human beings, with the same faculties. At some point they have to begin to understand one another.
Taken slightly historically, the turning point in the E.U. was actually the Single European Act, the Thatcher/Maastricht-era stuff, which was turning the E.U. into very much a market system.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I discovered that the heart is a breakable thing, but also discovered my capacity to love another person.
Acting is about expressing emotions, which varies from one person to other. If I were to force my co-stars to act the way I want, then I'll be seeing myself in the output, not them.
My brain has a weird way of turning pressure into other things. I make a point to myself of shrugging it off - of going the other way and doing something for myself, wanting to do something better. For example, I know that I could have made 'Lonerism 2.0' in a day, but it wouldn't have satisfied me.
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