A Quote by Lee Joon

Female exposure shouldn't be labelled as 'cheap.' — © Lee Joon
Female exposure shouldn't be labelled as 'cheap.'

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I do not prize the word cheap. It is not a word of inspiration. It is the badge of poverty, the signal of distress. Cheap merchandise means cheap men and cheap men mean a cheap country.
We are entering a hyperconnected world where every boss now has more access, cheap access to cheap labor, cheap genius, cheap robot, cheap software, and then this world averages over. There is only one answer to that, and that is to get everyone as close as possible to some form of post-secondary education, it could be vocational, it can be liberal arts, it can be science and technology.
There is no way a non-Jew could say what I did in 'The Holocaust Industry' without being labelled a Holocaust denier. I am labelled a Holocaust denier, too.
The male or female that the child has the most exposure to in the first four to six years of its life is the primary imprinter of the child.
There are too many conservatives who are terrified of being labelled. They're afraid of being labelled, and they're afraid of being not liked.
Cheap is small and not too steep, best of all cheap is cheap.
Most people try to get rich by being cheap and the price for that is that you live cheap and there is so much money out there; why would you want to live cheap?
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
I just felt drawn towards the kind of music that really needed a strong female presence female writers, female producers, female figures and that just kind of unfolded on its own.
Is it easy for me to write from a female point of view? Yeah, I am a female. I'm a very sensitive type of guy. I try to put my female hat on and think how a female would think. If I'm watching 'The Notebook,' I'm definitely gonna cry. I cried during 'E.T.' too.
Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.
Motion comics are just cheap animation. Very cheap animation. And I like animation almost as much as I like comics, but I'm not rushing to pay out for a cheap hybrid of the two.
Work hard, not in grunt work, but in chasing such opportunities and maximizing exposure to them. This makes living in big cities invaluable because you increase the odds of serendipitous encounters-you gain exposure to the envelope of serendipity.
We have made flying so cheap, I'm afraid we are going to make it cheap at any cost.
No man is cheaper than he who accepted that he's cheap to continue his cheap action.
I hate the word 'cheap'. People are cheap. Clothing is either expensive or inexpensive.
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