A Quote by Lee Klein
The Web ultimately is a medium used by real offline people, and as such, it'll probably be whatever we are.
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The issue in Web accessibility is the fact that blind and visually-impaired people need the single biggest boost to achieve equivalence, since the real-world Web is a visual medium.
I think the key difference between the web and print medium is, on the web or any digital medium, you're dealing with this added element of behavior.
... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.
Television is, in many respects, a passive medium: people receive information without really exchanging ideas with others. By contrast, the Internet can be an active medium, allowing individuals to use e-mail, discussion groups, and even Web sites to engage with one another.
I like to express myself creatively and it doesn't matter the medium. Whatever medium I choose at that moment, whatever works the best.
I think that television and the web are fusing anyway, so I think that ultimately whatever I do, I'm going to blend the two forms.
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I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.
The Web's core vision and value is to be platform independent. Microsoft has no right to think it can win a tool that is for the people, of the people, and ultimately - by the people.
People would publish their websites; other people would read them. But there was no real back and forth other than through e-mail. Web 2.0 was what they called the collaborative web - Facebook, Twitter, the social media.
When I'm playing with circular saws, I'm offline (though often listening to podcasts) and when I sit in the cabin to read or write, it's wonderful to be offline for a few hours at a time.
The quicker we can transfer our online connections to offline ones, the more meaningful social media becomes; rather than just leaving them there and chatting to people. So I really believe in the transfer of online to offline and I think that can make a huge impact.
Certainly anything that is news or opinion needs to be free on the Web, because the Web is this very fluid medium that is very much driven by links and the flow of visitors through a discussion via links.
Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
I think the Web is, you know, things like YouTube and stuff are absolutely where a lot of younger people are watching their TV on iTunes in the Web and YouTube, whatever. So, I think it's an important place to have a presence.
My work involves online dating, but I believe almost every behavior exhibited online has an offline corollary. Really, the medium doesn't change human nature.
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