A Quote by Lee Klein
Having a voice unlike another means you've "found yourself" as a writer.
Related Quotes
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
You see, I, unlike you, have been made a prefect, which means that I, unlike you, have the power to hand out punishments.” “Yeah,” said Harry, “but you, unlike me, are a git.
Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too!
Being an outsider means not being heard, not having a voice. It means being treated as a second-class citizen, being diminished in the eyes of others. We have all felt this way at one time or another, but some feel it more consistently. Unfortunately, our schools often do not embrace the talents of many of their occupants.
Reading is the sole means by which we slip, involuntarily, often helplessly, into another's skin, another's voice, another's soul.
I love having my voice on my songs now, but it also means a lot to hear that another artist likes your song enough to cut it and put it on their album. It's a special kind of compliment.
To me, being a woman in 2016 means having a voice, being unique, being true to yourself, and finding a way to be of service.
Having those positive friends around can really make a difference in how you view yourself. It's helped me realize that there's no such thing as having a perfect body, and just because I'm not shaped the same way as another girl is, it doesn't mean I'm not pretty. It just means that no two girls are alike.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
The first freedom is to be in possession of yourself - to own yourself, to not be subject to the will of somebody else. In a capitalist society, that means having a certain economic wherewithal so that you can do what you wish to do without having to ask permission.
Feminism means having a choice. And feminism doesn't care which choices you make, either. Just that you have them. The point has never been to establish some principled refusal to give yourself to another human being. The point is to make sure you can give yourself--or not give yourself--of your free will.
Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
The thing that was most harmful was that there was always something that was about to happen. So I found myself indulging in the writer's luxury of doing another draft, another idea. If this project isn't happening, then I'll shelve one script and start writing another. And in that way, the years go by, and there's very little money coming in.
There are authors like David Foster Wallace or Raymond Chandler - with voice-based authors I might end up a completist, because what I love about them isn't just the particular construction of one novel or another but their flavor. There is an Austrian writer, Thomas Bernhard, as well. One book is not necessarily greater than another book, but they just have this incredible, unique voice, so it doesn't really matter which one you read.
One of the reasons I became a writer is that, unlike starting a band, directing movies, or acting in a theatrical production, you can do it alone. Your success and failure depend entirely on yourself.
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