A Quote by Lee Klein

There's a ton of good art and music and writing out there offline among a ton of trash, and the same goes with what's online. — © Lee Klein
There's a ton of good art and music and writing out there offline among a ton of trash, and the same goes with what's online.
To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.
I have learned a ton, I have experienced a ton and I wouldn't trade it for anything.
You make a ton of progress by making a ton of mistakes.
I just watched a ton of comedy and saw a ton of different styles, and eventually you think, 'Oh, yeah, I could be like that.'
I lived in Chicago in the early '80s and did a ton of theater, and then Nick lived there in the '90s and did a ton of theater. Then we both moved to L.A. and did a ton of television.
I have a ton of fun, I mean luckily I've been balancing a ton of projects for a lot of years now, and I'm better when I'm busy and I just do my job in a way where I really totally compartmentalize.
I was definitely a child of the '80s. Cable TV was new. I watched a ton of movies and a ton of TV. HBO would show the same movies over and over again, so I'd watch the same movies over and over again.
I'm really not a journalist, and I don't do a ton of newsy pieces. Occasionally I'll write about something that's going on recently, but I really don't do a ton of stuff that's tied to current events.
The quicker we can transfer our online connections to offline ones, the more meaningful social media becomes; rather than just leaving them there and chatting to people. So I really believe in the transfer of online to offline and I think that can make a huge impact.
The way that I write is I just write a ton of music in the background of my life, and then I just bring it into rehearsal. It's, like, 'Okay, guys. It goes like this. Let's smooth it out.'
It's definitely a difficult thing to capture and I mean, I've seen a ton of movies where I've believed the couple and I've seen a ton of movies where I have not believed them at all. Unfortunately, as an audience member, you check out if you don't believe them.
There's definitely more to me offline than what you see online. Because what I show online is what I want to show to my followers... If I showed everything I did offline, it might not align with some of my other followers around the world.
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
North America makes a ton of movies and there's a ton of movies that are exceptional.
Yea, Paris is a festive ton -- a festive Ton for all! Skate o'er on joy -- Thin crust of gilded, polished joy! What matters it if Hell's beneath?
If you believe, as we believe, that diversity leads to better products, and we're all about making products that enrich people's lives, then you obviously put a ton of energy behind diversity the same way you would put a ton of energy behind anything else that is truly important.
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