A Quote by Lee Konitz

I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double. — © Lee Konitz
I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
As a musician, your instrument is almost predetermined. I had played drums, piano, clarinet, but when I heard Wayne Shorter play the saxophone, I knew that sound is what I wanted.
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
I've played every instrument you could possibly think of for 10 minutes. So I'm mediocre at everything. I can play drums, guitar, piano, violin, saxophone, clarinet, flute... Just not well.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
I decided to play the saxophone because it was the most obvious instrument in my family. There were a lot of saxophone players in my family, and there were extra saxophones, so that was an easy one to pick up. It was fun - it was okay - it just wasn't me. It didn't feel like my instrument, so I never followed through.
Clarinet n. An instrument of torture operated by a person with cotton in his ears. There are two instruments worse than a clarinet – two clarinets.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
Clarinet is an incredible instrument. It's a great, expressive instrument.
I remember being a kid and wanting to be so many different things. There was even one point that I wanted to be a clarinet player, and I had never even touched a clarinet, in my life. And then, I wanted to be a chef. And then, I wanted to be a vet. It's hard to decide who you're gonna be, as weird as that sounds, because we all do it.
I play drums, clarinet, saxophone, trumpet, french horn, piano.
The ability to play the clarinet is the ability to overcome the imperfections of the instrument. There's no such thing as a perfect clarinet, never was and never will be.
I always wanted to play some kind of instrument - piano, saxophone, whatever. I took it up for a while, then forgot about it because I didn't have the time.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
I focused on the saxophone ever since high school. It wasn't until my album 'Poetica,' which I recorded in 2006, that I went back to the clarinet. It felt like it was waiting for me!
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