A Quote by Lee Konitz
I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.
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There are three virtuous styles of music; classical, jazz and heavy metal. I do love classical music but I don't listen to it much anymore and I never listen to metal, so I am not very interested in music that is difficult to play.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
Right now I'm listening to a lot of different things but I listen to a lot of classical music. Eventually I would like to compose and perform classical.
Actually, I've had very little classical training, although I love listening to classical music very much.
I grew up listening to a lot of classic jazz, and stuff like The Beatles, and old Motown stuff, and a lot of classical music. I just loved all of that.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
It's much easier for me to say that, the kind of music I didn't listen to was pretty much that. I mean everything, from jazz to classical to popular. And Tibetan horns were a great part of it in 1966, '67.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
Music is like comedy in that you can enjoy a very - for want of abetter word - sophisticated classical piece as much as you enjoy something that's very simple pop.
I listen to old jazz and classical music, and that's it.
Enjoy music. Not the kind that rocks and rolls, but the music of the masters, the music that has lived through the centuries, the music that has lifted people. If you do not have a taste for it, listen to it thoughtfully. If you do not like it the first time, listen to it again and keep listening.
I do listen to more jazz and gospel than anything else, but my ears are still very much open and listening to stuff that comes out. And a lot of times my kids turn me on to stuff.
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.
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