A Quote by Lee Konitz

It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music. — © Lee Konitz
It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
I don't do black music. I don't do white music. I do fight music, unified in Christ music.
Jazz is a white term to define black people. My music is black classical music.
Presley is country music, white music. Jazz is black music - it was invented by the blacks in New Orleans. And I'm really a jazz singer. I was impressed with Elvis - he was the handsomest guy I ever met in my life, and a very nice person, too. But the music doesn't impress me.
…“white supremacy” is a much more useful term for understanding the complicity of people of color in upholding and maintaining racial hierarchies that do not involve force (i.e slavery, apartheid) than the term “internalized racism”- a term most often used to suggest that black people have absorbed negative feelings and attitudes about blackness. The term “white supremacy” enables us to recognize not only that black people are socialized to embody the values and attitudes of white supremacy, but we can exercise “white supremacist control” over other black people.
Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
Theres two kinds of music: black soul music, and the white imitation thereof.
The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure.
White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
But I see now that whether I show up for work or not, the evil forces are going to beat me. They're going to come 100 percent, so if I dont be 100 percent pure-hearted, I'm going to lose. And thats why I'm losing.
We're not here as a black band playing white string band music. You know, we play stuff in the Appalachians, we play stuff in the white community, but we really highlight the black community's music.
Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.
Motown was about music for all people - white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.
I want to remind people that black music is amazing. And there are all forms of it that we've forgotten, you know? Rock music is black music! Don't forget that's what it is.
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