A Quote by Lee Konitz

I love Indian music very much, but I haven't studied that specifically. — © Lee Konitz
I love Indian music very much, but I haven't studied that specifically.
Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.
I loved statistics from a young age. And I studied very much in Sweden. I used to be in the upper quarter of all courses I attended. But in St. John's, I was in the lower quarter. And the fact was that Indian students studied harder than we did in Sweden. They read the textbook twice, or three times or four times.
I actually studied Indian classical vocal music.
We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
One thing I would say about the Indian consumer is that as much change and as much technology, innovation that you offer to the Indian consumer, the Indian consumer is very receptive and actually keep expecting more, and we have had that great experience.
I love visual art. I painted for many years when I was younger. I have studied modern/contemporary Indian art a bit and am very impressed with the talent in India.
I was very sure I did not want to be the stereotype of what Indian people are seen as, which is Bollywood and henna. That's all great! It's what we are, and I love it. I love saris; I love music. I love henna; I love dancing, but that's not all we are.
I was very sure I did not want to be the stereotype of what Indian people are seen as, which is Bollywood, and henna. That’s all great! It’s what we are, and I love it. I love saris; I love music; I love henna; I love dancing, but that’s not all we are.
I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship.
I love all kinds of Indian music, and Indian food as well. If the chance arises for me to play in India, I'm there.
A lot of Indian musicians settled abroad are fusing Indian music with reggae which I find very impressive.
Europe in general is a great place for me, but specifically Germany has been very good to me. Germans love classical music... Electronic dance music is massive over there, so I'm kind of the marriage between the two.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
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