A Quote by Lee Krasner

I think my painting is so autobiographical if anyone can take the trouble to read it. — © Lee Krasner
I think my painting is so autobiographical if anyone can take the trouble to read it.
I was trouble - and always in trouble. Aged eight I still couldn't read. In fact, I was dyslexic and short-sighted. Despite sitting at the front of the class, I couldn't read the blackboard. Only after a couple of terms did anyone think to have my eyes tested. Even when I could see, the letters and numbers made no sense at all.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
If you think you know the consumer better than anyone, then you're in real trouble. So we take a close watch. You spend time in stores.
The trouble with radicals is that they only read radical literature, and the trouble with conservatives is that they don't read anything
People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
I don't read reviews or take any feedback from anyone. Here's the thing: The stories don't even care what I think about them. They don't listen to anybody! My job is simply to describe what I'm shown in my head so that folks who read the books get an idea of what I'm seeing. As long as that happens, I'm doing my job as best I can.
A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
People really need to take time and read a book. You know? That’s my advice. You could read A New Slant on Life, you could read Dianetics. And I think if you really read it, you’ll understand it, but unless you do, you’ll speculate. And I think that’s a mistake to do that.
There is nothing harder to learn than painting and nothing which most people take less trouble about learning.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
I don't believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I've been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
Oh, a trouble's a ton, or a trouble's an ounce Or a trouble is what you make it, And it isn't the fact that you're hurt that counts, But only how did you take it.
Painting is the supreme form of expression; you don't need to 'read' painting.
It's more this instinct to get in trouble, and then get myself out of trouble. That's what painting is for me.
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