I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much.
My gift, if that's not too grandiose a term, is one for describing novels, biographies, and works of history in such a way that people want to read them.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I read so ravenously that I would read through whole categories. I was crazy about reading biographies. [...] I think biographies are very urgent to children.
On the whole, I think you should write biographies of those you admire and respect, and novels about human beings who you think are sadly mistaken.
Read obituaries. They are just like biographies, only shorter. They remind us that interesting, successful people rarely lead orderly, linear lives.
If people are attracted to me, I like to think it's because I'm an interesting person, fairly smart, well-rounded, with a good sense of humor. I would like to think that's what I am. I would like to think people see it.
I think recreations are a good thing if done right because it can be very dangerous also. If you do something which goes wrong, then people probably won't like it because they are attached to that old version of the song... So, recreations can be a little tricky.
Everybody should read fiction… I don’t think serious fiction is written for a few people. I think we live in a stupid culture that won’t educate its people to read these things. It would be a much more interesting place if it would. And it’s not just that mechanics and plumbers don’t read literary fiction, it’s that doctors and lawyers don’t read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn’t trust art.
I think people are attracted to The Huffington Post's blend of up-to-the-second news and thoughtful opinion, delivered with an attitude. Plus, I think they enjoy that we cover so many different things - from politics and entertainment to style and satire. There is always something interesting to read and think about - and even to laugh at.
Fiction allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't.
I have been told many times that when I win I make my people proud to be Australian. I am Aboriginal, I am one of them and every time I win or am honoured like this it should be an example to Aboriginal people who may think they have nowhere to go but down. But more importantly I am an Australian and I would like to make all Australians feel proud to be Australian. Ours is a truly multicultural society and should be united as such. I would like to believe that my successes are celebrated by all Australians, bringing our nation together.
I have been part of a lot of recreations. So, I don't think there's any harm in doing recreations if they are done in the correct manner.
As strange as this may sound, I very seldom read fiction. Because my novels require so much research, almost everything I read is non - fiction - histories, biographies, translations of ancient texts.
I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.
Biographies are, in their nature, far more difficult to make into films than novels, because novels come with plots constructed and dialogue written, whereas I don't invent dialogue for my subjects or plot their lives for them.