A Quote by Lee Mack

Before Twitter, if comedians wrote what they had for lunch on a Post-it and put it through your letterbox you wouldn't find it acceptable - but now apparently it is on Twitter.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
'The Washington Post' doesn't have to report on what I post on Twitter. CNN doesn't have to report on what I post on Twitter. All kinds of media outlets - they don't have to report on anything that I post on Twitter. Just like they don't have to report on all kinds of other things that other people post on Twitter.
If a website has something I should know, somebody is spinning it around Twitter and I'll see it there. Before I would look at Huffington Post and Slate every day, now I follow them on Twitter.
The default position now is that comedians do Twitter but I don't know why. Every bad story you see about a comedian has a connection to Twitter.
I've had people say to me, 'How dare you have a Twitter,' you know, with my gimmick, I guess, and I just say, 'It's 2017.' It'd be hard to find someone in America who doesn't have a phone that has Twitter capabilities. So as a WWE Superstar, I think it's OK that I have a Twitter, people.
We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.
The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That, I think, is valuable.
Wildly successful sites such as Flickr, Twitter and Facebook offer genuinely portable social experiences, on and off the desktop. You don't even have to go to Facebook or Twitter to experience Facebook and Twitter content or to share third-party web content with your Twitter and Facebook friends.
Journalists have sometimes looked to my Twitter account and quoted me from there, and that's fine because that's public domain. I know exactly what I'm doing when I post something on Twitter; in a way, it's saying, 'This is who I am, and I don't have anything to hide.'
We did Twitter, and Twitter grew so fast, and in 2006 we spun it out into Twitter, Inc.
When I'm on Twitter, we just talk to people. I call all my Twitter followers my 'Twitter babies.'
I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.
I have a big following on Twitter, and Twitter has been invaluable for mobilizing and quickly sharing information. But I'm not really sure that people are learning deep content on Twitter.
Twitter is a form of free speech, and I'm all for that. But if Cee Lo Green, a maverick of sorts, can't get on Twitter and say something outlandish or outrageous, then what is the whole point of Twitter at all?
I'm not on Twitter for abuse. I don't think anyone's gotten on Twitter so that they can be abused, but people do go on Twitter to abuse people. When that becomes clear then Twitter has a moral duty to shut those people down when they see that somebody is there solely for the purpose of abusing others. Yeah you have free speech, but what you don't have is the right to wield your speech like a cudgel to somebody who has done nothing to earn it.
There are very funny people who aren't good at Twitter and people who are really good on Twitter where that's the best or the only thing they do. There are some people I know that don't write creatively outside of Twitter, but they're so good at Twitter.
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