A Quote by Lee Mack
Not Going Out' is a pretty neutral sitcom - to quote the 'Seinfeld' thing, it's not really about anything.
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I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it.
I don't think of me as, quote, 'coming out,' because I was never 'in.' I rarely, if ever, spoke about my private life and remain as neutral as possible.
Frasier and Friends and Seinfeld, they all pissed each other off, said the wrong thing, drove each other nuts, but in the end, it turns out they'd do anything for their friends. TV Land has really found that formula.
I look at Seinfeld - he looks like he's having fun. He's just enjoying being Jerry Seinfeld, you know, on 'Seinfeld.'
It is as hard to find a neutral critic as it is a neutral country in time of war. I suppose if a critic were neutral, he wouldn't trouble to write anything.
The strangest thing about writing a sitcom, is never knowing if it will become anything but words on a page.
In 2010, I was the star of a sitcom. It came and went pretty fast. But in the months from when I was cast in the sitcom through when it was done airing, my life did change remarkably.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
Everyone told me that British sitcom was dead. Then I looked at 'Seinfeld' and 'Frasier' and thought, 'No it's not, it just needs more gags.'
I don't know if there's anything that would surprise people, because I don't think that anybody knows anything about me at all. There's not much out there. I think I'm going to come out with a pretty dark and troubled record, and it might upset some people.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
I watched 'The Sopranos,' I saw a couple of episodes of 'Mad Men.' I loved 'Seinfeld.' In fact, I got some CDs of 'Seinfeld.' 'Seinfeld' was hilarious. Oh, boy. The Nazi soup kitchen? 'No soup for you!'
The great thing about a sitcom is that you're in front of a live audience, so you really get in touch with what audience reaction is, but also there are lots of elements of film that you're dealing with, and there's kind of a great boot camp or graduate school mentality to it, because you're going to suck.
Some men and women are inquisitive about everything, they are always asking, if they see any one with anything they ask what is that thing, what is it you are carrying, what are you going to be doing with that thing, why have you that thing, where did you get that thing, how long will you have that thing, there are very many men and women who want to know about anything about everything.
I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
The film's title You Can't Be Neutral on a Moving Train. comes from something I used to say in teaching my students "This is not going to be a neutral class." The world is already moving in certain directions and wars are going on and children are going hungry. Terrible things are happening. And so to be neutral in a situation like this is to collaborate with whatever is going on. And I don't want to collaborate with the world as it is. I want to intrude myself. I want to participate in changing the direction of things. So that's the origin of the title.
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