I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
I try not to write jokes that are mean. I try my best to write jokes that are pretty universal and jokes that don't attack anyone. I know I often fall short of that and end up taking unfair swipes at people, but I try not to.
I use mother-in-law jokes, kid jokes, tax jokes - anything that works.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
It wasn't until I became more confident with myself and I put myself forward instead of the jokes; at first it was put the jokes out there and I'm just behind the jokes.
I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky.
There are two kinds of jokes - funny jokes and Jack Benny jokes.
I think I have got a lot better as an interviewer. I let people talk now which is something you need to do. At the beginning I thought jokes, jokes, jokes, I am a stand up comedian but I think I have mellowed out now.
There were two things I used to do to seduce girls: jokes and music. Since I'm not a great pianist, jokes were my thing.
People would say, "Oh, you say you just do jokes." I don't just do jokes. I do jokes. Jokes are important. They saved my life when I was younger. Hopefully we're making things nicer at the end of the day for people. That's the entire goal, and that's the touchstone and the North Star for the tone.
I realized, in removing or rewriting these jokes, that often the jokes weren't done or that I was using, for me, the curse words as kind of a crutch. So then I just started writing.
'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
The jokes I used to do on 'Sex and the City' were always comic character things, and they were rarely hard jokes. As soon as you go up in front of people, it demands laughter.
I've always been terrible on regular sitcoms with lots of jokes. I don't know how to tell jokes.
The jokes are great but what really matters for a comedian is his performance, his whole attitude, and the laughs that he gets between the jokes rather than on top of the jokes.